{"title":"Entryways \u0026 Corners","description":"\u003cp\u003eConsoles, mirrors, columns and accent pieces for entryways and corners — the spaces guests meet first, furnished in full classical character.\u003c\/p\u003e","products":[{"product_id":"louis-xv-rococo-gilded-jardinierestand-lidded-urn-cabriole-tripod-entwood8854","title":"Louis XV Rococo Gilded Jardinière Pedestal Stand — Lidded Urn on Cabriole Tripod","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003eThere is a particular kind of presence that certain objects carry — not through scale alone, but through the density of intention carved into every surface. This Louis XV Rococo gilded jardinière pedestal stand belongs to that category. Faithfully reproduced in the tradition of the great French ébéniste workshops of the 1730–1770 period, it rises from three sweeping cabriole legs into a lidded urn bowl of exceptional decorative complexity. Place it in a hallway and it commands attention from the moment a guest crosses the threshold.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eCrafted from Romanian solid redwood (seasoned to below 10% humidity for dimensional stability), every element of this pedestal is hand-carved — not machine-routed. The three cabriole legs emerge from acanthus-leaf knee mounts and terminate in scroll feet, meeting at a carved triangular cross-stretcher at mid-height. The urn bowl itself is wrapped in a dense weave of hand-carved interlaced basketwork and feather-scroll motifs, crowned by a stepped lid with a finial. The warm gold lacquer finish unifies the entire composition, catching light differently across convex and concave surfaces.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eThe slender tripod silhouette gives this piece visual lightness despite the density of its ornament — a hallmark of the Louis XV designer's instinct to never let decoration become burden. The lower stretcher, itself carved with geometric reserves and a central turned boss, provides structural integrity while adding another layer of decorative interest. Dimensions are available on request; weight is approximately 5 kg.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEach piece leaves the Brass \u0026amp; Wood workshop in Egypt after individual hand-carving and finishing by craftsmen trained in the European classical tradition. The gold lacquer is applied in multiple coats, hand-rubbed between layers to achieve the warm, even tone visible in the images. Customization of finish color, dimensions, and ornamental density is available on request.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat is this piece made from?\u003c\/h3\u003e\u003cp\u003eThe pedestal is hand-carved entirely from Romanian solid redwood (less than 10% humidity), finished with a multi-coat gold lacquer applied and rubbed by hand. No composite wood or MDF is used in the frame.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly is required — the lidded urn bowl seats onto the pedestal top and the legs may be attached on-site. Full instructions are included.\u003c\/p\u003e\u003ch3\u003eCan this be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization of finish color (antique gold, silver leaf, painted), overall height, and surface ornament density. Please contact us with your requirements before placing your order.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186318876923,"sku":"ENTWOOD8854","price":23750.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/01-entwood8854.png?v=1786877541"},{"product_id":"louis-xvi-neoclassical-gilded-pedestal-column-floral-garland-marble-top","title":"Louis XVI Neoclassical Gilded Pedestal Column with Floral Garland Carving and Marble Top","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003eSet this gilded column in a room and the eye travels directly to it — not because it demands attention, but because it earns it. Rising on three slender fluted legs that splay gracefully toward a circular beaded base, this pedestal column draws from the precise design vocabulary of Louis XVI Neoclassicism: the era when French court furniture turned away from Rococo exuberance and embraced the measured grandeur of antiquity. The silhouette is disciplined; the ornamentation, abundant but purposeful. Every carved element has a name, a history, and a reason to be exactly where it is.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe column is handcrafted from Romanian solid redwood dried to under 10% humidity — a foundation that ensures dimensional stability across seasons. The entire surface is finished in layered French polish gilding, achieving the warm, mirror-like gold characteristic of the finest 18th-century court furniture workshops. The circular top cradles a circular slab of veined brown marble, set within a gadrooned and egg-and-dart molded collar — the two most recognizable motifs of Louis XVI decorative vocabulary. The marble's natural veining provides visual contrast against the uniform warmth of the gold ground.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eThree tapering fluted legs rise from the dished circular base, each leg articulated with carved acanthus leaf capitals at the join with the drum capital. Between the legs, hand-carved floral garland swags — roses, leaves, and ribbon ties — drape in naturalistic loops, the defining ornamental signature of the Louis XVI period. A central carved rosette anchors the base where the three legs converge. The beaded collar beneath the marble top and the bead-and-reel molding encircling the base reinforce the column's Neoclassical authority without overcrowding the composition.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eThis pedestal is produced in Egypt by Brass \u0026amp; Wood craftsmen trained in the full tradition of European classical furniture reproduction. Each piece is carved, assembled, and gilded by hand — no two are identical in the precise distribution of the floral garlands. The result is a display column that functions as a sculpture in its own right: place a bust, an urn, or a jardinière upon it and it becomes the architectural anchor of the room. It suits formal reception rooms, grand hallways, and salon corners where scale and intention matter equally.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this pedestal made from?\u003c\/h3\u003e\u003cp\u003eThe column body is handcrafted from Romanian solid redwood (less than 10% humidity) with a layered French polish gilded finish. The circular top is genuine veined marble, set within a carved and gilded collar.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly is required — the marble top is placed and secured upon the gilded column base. No tools or technical expertise are needed.\u003c\/p\u003e\u003ch3\u003eCan this pedestal be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization on finish tone, marble selection, and column height. Contact our team to discuss your specific requirements before ordering.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186318909691,"sku":"ENTWOOD8853","price":25100.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/louis-xvi-neoclassical-gilded-pedestal-column-floral-garland-marble-top-front-view.png?v=1786877544"},{"product_id":"french-baroque-carved-urn-pedestal-column-acanthus-scroll-ceremonial-stand-entwood8852","title":"French Baroque Carved Urn Pedestal Column — Acanthus \u0026 Scroll Ceremonial Stand","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003eThere are decorative objects that furnish a room, and then there are objects that define it. This handcrafted French Baroque ceremonial urn pedestal belongs firmly to the second category. Rising on a densely carved tapering column, crowned by a lidded urn with scrolling foliate handles, it draws the eye upward and holds it — a vertical counterpoint to the horizontal sweep of console tables, commodes, and salon seating. Faithfully reproduced in the tradition of the Louis XIV court workshops of the late seventeenth century, this piece carries the visual weight and ceremonial confidence of that monumental era.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe column and urn are constructed from Romanian solid redwood (moisture content below 10%), chosen for its structural integrity and fine carving surface. Over the carved wood, a resin application is used selectively to achieve the sharp relief detail demanded by Baroque ornamental vocabulary — acanthus leaves fan outward with crisp edges, C-scrolls curl with conviction, and the foliate collar separating the urn from the column is rendered with the layered depth of a master carver's tool. The finish is a hand-applied antiqued gold — warm in tone, matte in the recesses and softly luminous on the raised surfaces, replicating the look of aged ormolu without the weight of cast bronze.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eThe piece weighs 5 kg, making it substantial enough to stand with authority yet manageable for placement adjustments. The tapering column base features four scroll-footed supports radiating outward, giving the piece a stable platform while adding to the Baroque theatricality of the lower register. The lidded urn at the crown is fitted with a flame or foliate finial — the classical signal that this is a formal, ceremonial object, not merely a vase. Every surface, from the beaded base ring to the acanthus-draped handles, has been considered as part of a unified decorative program.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eProduced in the workshops of Brass \u0026amp; Wood in Egypt, this pedestal column is handcrafted by artisans trained in the European classical tradition. The carving is executed by hand before the antiqued gold finish is applied in layers — a process that cannot be rushed and cannot be replicated by machine. Each piece carries the minor variations that confirm genuine handwork: no two will catch the light in exactly the same way. This is the honest mark of a craft object, not a production line.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this pedestal column made from?\u003c\/h3\u003e\u003cp\u003eThe core structure is Romanian solid redwood with a moisture content below 10%, overlaid with resin detail work for the high-relief carved ornament. The finish is a hand-applied antiqued gold lacquer.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly is required — typically the urn top is shipped separately from the column for safe transport and placed on arrival without tools.\u003c\/p\u003e\u003ch3\u003eCan this piece be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization in finish color (alternative gold tones, ivory, or cream ground with gilt highlights) and can discuss scale adjustments for specific interior requirements. Contact our team for bespoke options.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186318942459,"sku":"ENTWOOD8852","price":28800.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/french-baroque-carved-urn-pedestal-column-acanthus-scroll-ceremonial-stand-front-view.png?v=1786877547"},{"product_id":"napoleon-iii-rococo-revival-burl-wood-pedestal-column-gilt-bronze-marble-top","title":"Napoleon III Rococo Revival Burl Wood Pedestal Column with Gilt Bronze Mounts \u0026 Marble Top","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003ePlace this pedestal column in any room and the room immediately acquires a focal point. The dramatically waisted silhouette — swelling outward at the shoulders and hips before pinching at the waist — is the visual signature of Napoleon III Rococo Revival design, a movement that swept Parisian interiors in the 1850s and 1860s as the Second Empire court rediscovered the curved energy of Louis XV but rendered it in richer, more theatrical materials. This column faithfully reproduces that tradition: a sculptural form that earns its place not by shrinking into the background, but by demanding to be seen.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe body is veneered in richly figured burl wood — the swirling, eye-like grain pattern that cabinetmakers of the Second Empire prized above all other surfaces for its depth and movement under candlelight or afternoon sun. Each panel is set within a framework of bright brass inlay stringing, the fine lines reinforcing the architectural geometry of the form. Gilded bronze mounts — foliate cartouches at the shoulders and scrolling sabots at the base — provide the period's characteristic contrast between warm metal and warm wood. The top is finished in a square-edged slab of honey-toned marble, providing a stable, elegant platform for a vase, sculpture, or clock.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eThe pedestal is built on four swept feet that splay outward from the narrowed base, creating visual lift and preventing the form from appearing heavy at the ground plane. The French polish finish — applied by hand in multiple thin layers — produces the deep, almost liquid reflectivity that separates a properly finished classic piece from one merely coated with lacquer. Dimensions are available on request; the piece is crafted to order and can be scaled or customized to suit specific interiors.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery pedestal in this collection is handcrafted in Egypt by skilled craftsmen working in the tradition of European classical furniture reproduction. The solid wood core is constructed from Romanian Solid Redwood dried to below 10% humidity — ensuring dimensional stability in varied climates. Brass inlay stringing is set by hand, the bronze mounts are cast and finished individually, and the French polish is applied by brush and rubber in the traditional manner. Brass \u0026amp; Wood's commitment is to the integrity of the craft: each piece is inspected before delivery.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this pedestal made from?\u003c\/h3\u003e\u003cp\u003eThe pedestal is constructed from a solid Romanian Redwood core veneered in burl wood, with hand-applied brass inlay stringing, gilded bronze mounts, and a marble top slab. The finish is traditional French polish.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly is required — typically attaching the marble top and any removable mounts. Full instructions are included, and the process takes under 15 minutes.\u003c\/p\u003e\u003ch3\u003eCan this pedestal be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization in dimensions, wood veneer tone, marble selection, and brass finish. Please contact our team to discuss your requirements before placing an order.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186318975227,"sku":"ENTWOOD8856","price":21850.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/napoleon-iii-rococo-revival-burl-wood-pedestal-column-gilt-bronze-marble-top-side-view.png?v=1786877550"},{"product_id":"napoleon-iii-rococo-marquetry-pedestal-gilt-bronze-marble-top-entwood8857","title":"Napoleon III Rococo Revival Marquetry Pedestal Stand with Gilt Bronze Mounts \u0026 Marble Top","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003ePlace this pedestal stand in a room and it immediately establishes a hierarchy — not through size alone, but through the sheer concentration of craft packed into every surface. The sweeping cabriole legs draw the eye downward before the marquetry-veneered body pulls it back up, and then the cream marble top closes the composition with cool, quiet authority. This is the kind of object that makes a room feel considered rather than merely furnished.\u003c\/p\u003e\u003cp\u003eInspired by the guéridon tradition of the French Second Empire (1852–1870), this piece belongs to the Napoleon III Rococo Revival school — a movement that consciously reimagined the playfulness of Louis XV through an industrial-era lens: richer ormolu mounts, denser veneer work, and a verticality that the original Rococo rarely attempted. The result is something more theatrical than a genuine 18th-century piece, and deliberately so. Napoleon III furniture was made to impress, and it still does.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe body is constructed from Romanian solid redwood (below 10% humidity) and finished in a deep mahogany French polish that catches light with a warm, wine-red depth. The veneer panels on each face of the tapering body are laid in a bookmatched flame pattern — the wood grain fanning outward symmetrically from each panel's centerline, a technique that distinguishes handcrafted marquetry work from machine-cut veneering. Each panel is bordered by fine stringing lines that frame the composition like a picture within a picture.\u003c\/p\u003e\u003cp\u003eThe gilt bronze ormolu mounts are cast and chased in the Second Empire tradition: a central cartouche mount on the primary panel features foliate scrollwork framing a heraldic shield motif, flanked on the corners by scrolled acanthus espagnolette mounts. The apron frieze carries a continuous wave-and-scroll brass mount. Leg sabots in matching gilt bronze cap each swept cabriole foot. At the center of the crossed stretcher, a turned gilt-bronze finial provides the visual anchor for the entire base. The marble top — a slab of cream-toned stone with subtle veining — is set within a brass-bound gallery frame that prevents objects from slipping while reinforcing the compositional border.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eThis handcrafted luxury pedestal is designed for use as a plant stand, sculptural display column, or accent table in a salon, reception, or formal hallway. The slender four-leg silhouette allows it to occupy minimal floor space while projecting considerable visual presence. Weight: 5.0 kg. Dimensions: as specified per order configuration. Available for customization in alternate finishes, upholstery, and brass tones.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery pedestal bearing the Brass \u0026amp; Wood mark is handcrafted in Egypt by artisans trained in classical European joinery and marquetry traditions. The Romanian solid redwood used throughout the structure is kiln-dried to below 10% humidity, ensuring dimensional stability across Egypt's climate range. The ormolu mounts are cast, filed, and burnished by hand. This is not production furniture — it is a faithful interpretation of Second Empire craftsmanship, made one piece at a time.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this pedestal made from?\u003c\/h3\u003e\u003cp\u003eThe structure is Romanian solid redwood with French-polished mahogany veneer in a flame marquetry pattern. The mounts are gilt bronze ormolu. The top is a cream marble slab set in a brass gallery frame.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly is required — typically attaching the stretcher and marble top, which can be completed without tools in a few minutes.\u003c\/p\u003e\u003ch3\u003eCan this pedestal be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization in wood finish tone, marble top selection, and brass patina (bright gold, antique gold, or bronze). Please contact us before placing your order to discuss options.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319007995,"sku":"ENTWOOD8857","price":19000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/napoleon-iii-rococo-marquetry-pedestal-gilt-bronze-marble-top-entwood8857-front-view.png?v=1786877552"},{"product_id":"louis-xv-rococo-marquetry-pedestal-gilt-bronze-marble-top-entwood885","title":"Louis XV Rococo Marquetry Pedestal Stand with Gilt Bronze Mounts \u0026 Marble Top","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003eThere is a particular discipline in the Louis XV pedestal form that distinguishes it from mere furniture: it is sculpture with a practical function. This handcrafted Rococo guéridon stands on four sweeping cabriole legs that splay outward and taper to cast gilt bronze sabot feet — the legs so slender at mid-point that they seem to defy gravity before flaring again at the base. The silhouette is immediately recognizable: the bombé-profiled apron, the curved arched panels carved from book-matched mahogany-tone marquetry wood, and the horizontal cross-stretcher joining the legs at center, crowned by a cast gilt bronze pine-cone finial. Faithfully reproduced in the tradition of the finest Parisian ébénisterie workshops of the 1740s–1760s, this piece brings an unmistakable French Rococo presence into any room it inhabits.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe body is constructed from Romanian solid redwood (below 10% humidity), ensuring dimensional stability under varied climate conditions. The surface is finished in a deep French polish, which, unlike lacquer, responds to light with a depth and warmth that reveals the wood's grain across its matched veneer panels. The marquetry banding — a fine brass-tone stringing running along every edge and panel contour — defines the geometry of each curved face. The ormolu mounts are cast gilt bronze: a large central cartouche mount on the front apron combining foliate scrolls with a symmetrical heraldic motif, flanked corner mounts of acanthus leaves at the shoulder, a continuous running frieze of laurel swags along the top rail beneath the marble, and sabot foot mounts at each leg terminus. The top is set with a square cream marble slab, providing both visual contrast and practical surface protection — the combination of cold stone and warm polished wood being a signature of the Louis XV decorative vocabulary.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eThis pedestal is proportioned for use as a display column for vases, sculpture, or decorative objects — tall enough to elevate a piece to eye level when standing. The square marble top provides a stable platform. The stretcher finial in the form of a gilt artichoke or pine-cone is a deliberate period detail: this motif appears frequently in Rococo furniture of the French royal workshops and signals careful attention to historical accuracy in this reproduction. Four feet terminate in scrolled gilt sabots that follow the line of each cabriole leg to its natural conclusion.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery element of this pedestal — from the hand-fitted marquetry panels to the individually applied ormolu mounts — is produced by skilled craftsmen at the Brass \u0026amp; Wood workshops in Egypt. The French polish finish is applied by hand in multiple stages, each coat burnished before the next is applied, building the depth of surface that mass production cannot replicate. This is not a cast resin reproduction: it is a working piece of furniture made with traditional joinery and genuine materials, designed to last and to age with the grace of the pieces that inspired it.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this pedestal made from?\u003c\/h3\u003e\u003cp\u003eThe structure is Romanian solid redwood with a French polish finish and marquetry brass-stringing detail. The decorative mounts are cast gilt bronze (ormolu). The top surface is a genuine cream marble slab. All materials are selected for both visual quality and long-term durability.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly is required — typically attaching the marble top to the base, which is straightforward and requires no specialist tools. Detailed instructions are included with delivery.\u003c\/p\u003e\u003ch3\u003eCan this pedestal be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization of the marble top color, wood finish tone, and gilt bronze patina (bright gold, antique gold, or bronze). Please contact our team to discuss your requirements before placing your order.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319040763,"sku":"ENTWOOD885","price":21850.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/louis-xv-rococo-marquetry-pedestal-gilt-bronze-marble-top-entwood885-front-view.png?v=1786877555"},{"product_id":"louis-xvi-neoclassical-hand-painted-column-pedestal-gilt-mounts-marble-top","title":"Louis XVI Neoclassical Hand-Painted Column Pedestal with Gilt Mounts \u0026 Marble Top","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003ePlace this pedestal in a room and it immediately becomes the room's axis. The eye travels upward from the stepped square base — trimmed with antique gold ormolu cartouches and foliate corner mounts — along the tapered fluted column shaft, pauses at the hand-painted landscape medallion at its waist, and arrives at the octagonal marble top prepared to receive whatever sculpture, bust, or decorative object you place upon it. This is a piece conceived not as background, but as participant.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eFaithfully reproduced in the tradition of late 18th-century French Neoclassical design, this pedestal is hand-built from Romanian solid redwood (kiln-dried to below 10% humidity) and finished in a chalk-white painted ground — the correct ground for the period's preference for painted boiserie and lacquered surfaces. The column shaft is carved with vertical fluting, each channel edged in burnished antique gold, referencing the classical Ionic and Doric columns that Louis XVI's court architects drew from obsessively. The capital and base rings are mounted with pressed gilt medallions in the ovoid wreath form characteristic of the Louis XVI decorative vocabulary. At the column's midpoint, a turned spherical node is hand-painted with a romantic landscape in the tradition of Sèvres porcelain decoration — a river scene with trees and soft autumnal light, bordered by a fine gilt rope-twist band. The octagonal top is a slab of dark veined marble, adding visual weight exactly where the eye expects it.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eWeight: 5.0 kg. Dimensions: available on request — this pedestal is also offered in customized heights to suit specific display requirements. The octagonal marble top accommodates busts, urns, jardinieres, or sculptural objects. The stepped base provides stable footing on parquet, stone, or tile floors.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery pedestal is built and finished by hand in Brass \u0026amp; Wood's Egyptian workshops — a tradition of craft that draws on centuries of woodworking knowledge. The painted landscape medallion is applied by a trained decorative painter; the gilt mounts are individually pressed and affixed. No two pieces are precisely identical, which is exactly as it should be for a handcrafted object.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this pedestal made from?\u003c\/h3\u003e\u003cp\u003eThe column body is Romanian solid redwood with a painted antique white finish. Decorative mounts are antique gold gilt pressed ornaments. The top is a natural dark-veined marble slab. The hand-painted landscape medallion is applied directly to the turned wood sphere.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eNo assembly is required. The pedestal arrives fully assembled and ready to place.\u003c\/p\u003e\u003ch3\u003eCan this pedestal be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization in height, painted finish color, and marble top selection. Contact our team to discuss your specific requirements.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319073531,"sku":"ENTWOOD884","price":21850.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/louis-xvi-neoclassical-hand-painted-column-pedestal-gilt-mounts-marble-top-front-view.png?v=1786877559"},{"product_id":"regence-cane-gilt-wood-plant-trough-shell-cartouche-centre-panel-entcac9252","title":"Régence Cane \u0026 Gilt Wood Plant Trough — Shell Cartouche Centre Panel","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003eThere is a particular calm that settles into a room when a well-proportioned planter sits at floor level, grounding the space without competing with the furniture around it. This handcrafted plant trough draws from the design vocabulary of the French Régence period (1715–1730) — the transitional moment between the heavyweight grandeur of Louis XIV's Baroque court and the lighter, more playful spiritof Rococo. It is a piece that knows exactly where it stands: low, wide, disciplined in its silhouette, yet unmistakably ornamented.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe body is constructed from Romanian solid redwood, kiln-dried to below 10% humidity for dimensional stability, and finished in a deep walnut tone that gives the piece visual weight without heaviness. The front and side panels are fitted with hand-woven rattan cane in a fine hexagonal lattice — a technique that was fashionable in Régence interiors and that here serves both decorative and practical purposes, allowing air circulation around plants. The upper rail and base moulding are articulated with gilt-finished bead-and-reel trim, and corner pilasters carry hand-carved acanthus-leaf detailing finished in antique gold — the accent that ties the whole composition together. The crowning element is a central applied cartouche in the form of an open shell flanked by C-scrolls and acanthus sprays, hand-carved and gilded, and positioned symmetrically on the front face — a hallmark of Régence ornamental vocabulary, where the shell motif first appeared before it migrated fully into Rococo asymmetry.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eThe trough's elongated rectangular form is designed to sit along a wall, beneath a console, or as a standalone floor feature. The interior is open-topped, suitable for potted plants set inside or for use as a decorative storage trough. Four low bun feet lift the base slightly from the floor, preventing moisture contact and completing the period silhouette. The piece weighs 5.0 kg, making it manageable to reposition while remaining substantial enough to anchor its setting.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery element of this jardinière is produced in Egypt by craftsmen trained in European classical furniture traditions. The carving is executed by hand, the cane is woven panel by panel, and the gilding is applied in antique gold finish to achieve the warm, slightly aged tone characteristic of period originals. Brass \u0026amp; Wood offers full customization — dimensions, finish color, and cane density can all be adjusted to suit specific interior requirements. Delivery is typically completed within 30–45 days of order confirmation.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this plant trough made from?\u003c\/h3\u003e\u003cp\u003eThe frame is constructed from Romanian solid redwood (under 10% humidity) finished in walnut tone. The panels feature hand-woven rattan cane, and the carved ornaments — including the central shell cartouche and corner pilasters — are finished in antique gold gilding.\u003c\/p\u003e\u003ch3\u003eIs this suitable for live plants?\u003c\/h3\u003e\u003cp\u003eThe trough can accommodate potted plants placed inside the open interior. We recommend using a waterproof liner or placing plants in their own containers to protect the wood from moisture. Direct water contact with the interior wood surface should be avoided.\u003c\/p\u003e\u003ch3\u003eCan this be customized in size or finish?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers full customization on dimensions, wood finish tone, and gilding color. Please contact our team with your specifications before placing your order.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319106299,"sku":"ENTCAC9252","price":14000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/regence-cane-gilt-wood-plant-trough-shell-cartouche-centre-panel-front-view.png?v=1786877561"},{"product_id":"empire-neoclassical-marble-column-pedestal-gilt-corinthian-capital-entwood58741","title":"Empire Neoclassical Decorative Pedestal with Marble Column \u0026 Gold Brass Mounts","description":"\u003ch2\u003eDesign Inspiration\u003c\/h2\u003e\u003cp\u003eRooted in the grandeur of the French Empire period, this decorative column pedestal draws from the monumental neoclassical aesthetic championed during the Napoleonic era. The open-arch mahogany frame dramatically showcases a central freestanding marble column crowned with an ornate Corinthian capital — a hallmark of imperial Roman revival design.\u003c\/p\u003e\u003ch2\u003eMaterials\u003c\/h2\u003e\u003cp\u003eCrafted from solid mahogany with a warm reddish-brown finish, the pedestal features a genuine veined marble column shaft and top surface. All decorative hardware — including the Corinthian capital, base bell, and scrollwork frieze — is cast in antique gold brass, lending each surface a luminous, aged richness.\u003c\/p\u003e\u003ch3\u003eCraftsmanship\u003c\/h3\u003e\u003cp\u003eEvery detail is the result of meticulous handwork by Brass \u0026amp; Wood artisans in Egypt. The frieze beneath the marble top is hand-chased with interlocking foliate scrolls and a central rosette medallion in gilded brass. The base drawer panel features hand-engraved brass cartouche detailing, while fine brass beading trims every structural edge with precision and elegance.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319139067,"sku":"ENTWOOD58741","price":18000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/empire-neoclassical-marble-column-pedestal-gilt-corinthian-capital-front-view.png?v=1786877564"},{"product_id":"louis-xvi-neoclassical-ivory-gold-jardiniere-cane-panels-floral-mount-entcac4584","title":"Louis XVI Neoclassical Ivory \u0026 Gold Jardinière with Cane Panels and Floral Mount","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003eSet this jardinière at the entrance of a formal salon or beside a pier mirror in a grand hallway, and the room immediately acquires a point of reference — a vertical anchor of ivory and gold that tells visitors exactly what kind of house this is. Drawing from the design vocabulary of the Louis XVI Neoclassical period (1760–1800), this piece reproduces the disciplined elegance that replaced Rococo's exuberance with architectural clarity: straight lines, symmetry, and ornament that earns its place.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe frame is constructed from Romanian solid redwood (moisture content below 10%), hand-lacquered in a warm ivory finish that allows the natural grain to breathe beneath the surface. The four tapered, fluted legs — a defining signature of the Louis XVI style — are turned with a collar ring at the upper third and terminate in delicate gilt feet with rosette mounts. A flat stretcher bar connects all four legs at the base, providing structural integrity while echoing the horizontal discipline of Neoclassical design. Every gilded element is finished in antique gold, applied by hand to accentuate the carved profiles without overwhelming the ivory ground.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eThe body of the jardinière is lined on all four sides with woven cane panels set within gilt-edged frames — a material choice that lightens the visual weight of the piece while referencing the French taste for natural textures integrated into formal furniture. The top is open and glass-lined, intended to hold a decorative plant arrangement or a tray of curated objects. The centrepiece of the front apron is a hand-carved and gilded floral trophy mount — a torch-and-garland composition that is unmistakably Neoclassical, referencing the flambeau and ribbon motifs popularized during the reign of Louis XVI.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eThis jardinière is handcrafted in Egypt by Brass \u0026amp; Wood artisans who combine traditional European joinery techniques with locally honed carving skills. Each piece is individually finished, meaning minor variations in the ivory lacquer tone and gilding depth are a mark of authentic handcraft, not a defect. The result is a decorative planter that carries the character of a workshop object rather than a factory product — made with intention, to last.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this jardinière made from?\u003c\/h3\u003e\u003cp\u003eThe frame is Romanian solid redwood with a hand-applied ivory lacquer finish. Decorative elements are finished in antique gold. The side and front panels feature woven natural cane within gilt-edged frames, and the interior is glass-lined for plant or object display.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly is required — typically attaching the legs to the body. Full instructions are included, and the process requires no specialist tools.\u003c\/p\u003e\u003ch3\u003eCan this piece be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization on lacquer color, gilding tone, and panel material. Please contact us before placing your order to discuss available options and lead times.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319171835,"sku":"ENTCAC4584","price":14000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/louis-xvi-neoclassical-ivory-gold-jardiniere-cane-panels-floral-mount-front-view.png?v=1786877567"},{"product_id":"napoleon-iii-marquetry-display-pedestal-gilt-bronze-mounts","title":"Napoleon III Marquetry Display Pedestal with Gilt Bronze Mounts","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003ePlace this pedestal in a hallway or salon and the room acquires a focal point it didn't know it was missing. Tall, tapered, and clad on every face in hand-laid marquetry, it belongs to the tradition of the finest French Second Empire display columns — the kind produced by Parisian ébénistes in the 1860s for the grands appartements of the Tuileries and the Hôtel de Ville. The Napoleon III period was unashamed in its love of ornament, and this piece makes no apologies: every surface is considered, every mount purposeful.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe body is constructed from Romanian solid redwood (under 10% humidity) — a dense, stable substrate that holds marquetry without the seasonal movement that ruins lesser constructions. Across all four faces, panels of contrasting veneers are hand-laid in intricate arabesque scrollwork: sinuous stems, symmetrical foliate forms, and cartouche shields that echo the decorative vocabulary of the Second Empire's love affair with Renaissance Revival ornament. The ground veneer is a warm amber-toned satinwood, the inlay drawn in darker, almost mahogany-toned wood, creating a chiaroscuro effect that photographs light and shade simultaneously. The edges are banded with crossgrain veneers and framed by narrow gilt bronze galleries — a detail that serves as both decorative and protective. At the capital and base, cast gilt bronze mounts — acanthus friezes, scrolling volutes, and egg-and-dart galleries — are applied with precision. The finish is a deep French polish, hand-rubbed to a warm, even sheen that allows the marquetry's grain contrasts to read clearly.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eThe pedestal's proportions are classical: a narrow square top platform sized to display a bust, clock, jardinière, or sculptural vase, tapering gently toward the base for visual lightness without structural compromise. The bracket feet, trimmed in gilt bronze acanthus, lift the column cleanly off the floor. While exact dimensions are confirmed at order, the piece is designed for placement in a hallway alcove, flanking a fireplace, or as a statement object at the head of a formal reception room.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEach pedestal is produced by Brass \u0026amp; Wood's atelier in Egypt, where master craftsmen with generations of woodworking heritage hand-lay the marquetry, apply and buff the French polish, and fit each gilt bronze mount individually. The result is a piece that honors the technical ambition of the Second Empire without being a museum reproduction — it is made to live in a room, to hold something precious, and to be admired every time someone passes it in a corridor.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this pedestal made from?\u003c\/h3\u003e\u003cp\u003eThe body is solid Romanian redwood (under 10% humidity), hand-veneered with contrasting wood marquetry panels. The mounts are cast gilt brass with a gold finish. The surface is finished with a hand-rubbed French polish.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly only — the pedestal arrives in protected sections that connect without tools in minutes.\u003c\/p\u003e\u003ch3\u003eCan this pedestal be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization of finish tone, marquetry pattern density, and mount style. Contact our team to discuss your requirements.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319204603,"sku":"ENTWOOD5563","price":62050.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/napoleon-iii-marquetry-display-pedestal-gilt-bronze-mounts-front-view.png?v=1786877570"},{"product_id":"louis-xvi-neoclassical-ivory-gold-plant-stand-lyre-basket-cane-panels-entcac1300","title":"Louis XVI Neoclassical Ivory \u0026 Gold Plant Stand — Lyre Basket Cartouche with Cane-Weave Panels","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003eThere is a specific kind of authority that a piece carries when every element has been deliberately chosen. This Louis XVI neoclassical plant stand — faithfully reproduced in the tradition of late 18th-century French decorative furniture — draws its visual language from the reign of Louis XVI: the discipline of symmetry, the elegance of classical ornament, and the harmony between ivory lacquer and burnished gold. Set in a room, it does not compete for attention; it simply occupies its corner with the quiet confidence of good breeding.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe frame is constructed from Romanian solid redwood (under 10% humidity) — a dense, stable timber that accepts hand-carving with precision and holds gilded finishes without warping over time. The body is finished in a warm ivory lacquer, over which selected ornamental elements are water-gilded with gold leaf: the fluted tapered legs with their turned collar capitals, the egg-and-dart border running along the top rim, rosette medallions at the leg joints, and the corner pilaster strips. The side panels are inset with a fine diamond-weave cane mesh — a technique found in authentic Louis XVI guéridons and jardinières — framed within gilt moldings. A glass insert sits within the top frame, protecting whatever is placed inside while maintaining the refined silhouette from every angle.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eThe top opening is generously proportioned to accommodate a planted vessel or decorative urn. Four slender fluted legs are joined by a gilt-accented H-stretcher at the base, providing structural stability while reinforcing the Neoclassical vocabulary of horizontal restraint. The central cartouche — the defining feature of this piece — presents a hand-carved lyre form draped with a cascading floral basket arrangement: roses, ribbons, and laurel leaves rendered in high-relief gold, directly referencing the Louis XVI decorative canon of nature formalized into ornament.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eThis plant stand is handcrafted in Egypt by Brass \u0026amp; Wood artisans trained in classical European joinery and gilding traditions. Each piece is finished individually — the gold leaf applied by hand, the cane panels fitted by eye, the cartouche carved before gilding. The result is a piece with the warmth of hand production and the consistency of practiced craft. Weight: 5 kg. Suitable for indoor use in living rooms, reception halls, hallways, and bedrooms.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this plant stand made from?\u003c\/h3\u003e\u003cp\u003eThe frame is Romanian solid redwood with an ivory lacquer finish and gold leaf gilding. Side panels feature cane-weave mesh insets framed in gilt molding, and a glass panel sits within the top frame.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly is required — typically attaching the legs to the body. Full instructions are included, and the process requires no specialist tools.\u003c\/p\u003e\u003ch3\u003eCan this piece be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization in finish color, gilding tone (gold, antique gold, silver), and cane panel treatment. Contact us to discuss your requirements before ordering.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319237371,"sku":"ENTCAC1300","price":14000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/louis-xvi-neoclassical-ivory-gold-plant-stand-lyre-basket-cane-panels-front-view.png?v=1786877573"},{"product_id":"french-baroque-carved-wood-pedestal-eagle-head-acanthus-column-gold-entwood8860","title":"French Baroque Carved Wood Pedestal Stand – Eagle-Head Acanthus Column with Gold Highlights","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003eSet this pedestal in the corner of a reception room and it immediately draws the eye — not with a single dramatic gesture but with the cumulative weight of detail that only reveals itself slowly. The circular crown, the spiralling central column, the scrolling cabriole feet: each element is resolved with the kind of thoroughness that characterises French Baroque furniture at its most confident. This piece is faithfully reproduced in the tradition of the Louis XIV atelier, where display pedestals were as much expressions of prestige as they were functional objects.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eCarved from Romanian solid redwood (kiln-dried to below 10% humidity for dimensional stability), the body is finished in a warm ivory lacquer that offsets the selectively applied gold highlighting on the relief surfaces. The carving is executed across multiple registers: rose clusters and acanthus leaves cascade down the apron, eagle-head mounts anchor the junctions between the crown and the legs, and the central column is spirally twisted — a motif borrowed directly from the Baroque architectural vocabulary of Bernini's baldachin columns. The scroll feet are carved in the round with additional leaf ornament at the knuckle, completing the vertical narrative of the piece.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eWeight: 5.0 kg. The circular top well is designed to receive a vase, urn, jardiniére, or sculptural object. The pedestal's proportions are calibrated for floor placement — the height positions a displayed object at standing eye level, making it ideal as a statement plinth in an entrance hall, salon, or formal reception room.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery cut on this pedestal was made by hand in Brass \u0026amp; Wood's Egyptian workshop by craftsmen trained in classical European carving traditions. The ivory lacquer finish and selective gold highlighting are applied in separate stages, ensuring clean definition between the carved relief and the ground — a quality of finish only achievable by hand. No two pieces are identical; minor variations in the carving are the natural mark of handcraft, not imperfection.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this pedestal made from?\u003c\/h3\u003e\u003cp\u003eThe pedestal is carved from Romanian solid redwood with a kiln-dried humidity level below 10%. The finish is ivory lacquer with hand-applied gold highlighting on the relief carving. No inlay materials are used — all decoration is achieved through carving and selective gilding.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly is required — the central column section and crown may be packed separately for shipping protection and require simple placement and securing on arrival.\u003c\/p\u003e\u003ch3\u003eCan this piece be customised?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customisation on finish colour (including full gilding, antique white, or champagne gold) and can adjust the height of the pedestal column on request. Contact our team to discuss your requirements.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319270139,"sku":"ENTWOOD8860","price":21850.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/french-baroque-carved-wood-pedestal-eagle-head-acanthus-column-gold-front-view.png?v=1786877576"},{"product_id":"napoleon-iii-rococo-ceramic-jardiniere-gilt-brass-mounts-floral-cartouche-entcac1888","title":"Napoleon III Rococo Revival Ceramic Jardinière with Gilt Brass Mounts \u0026 Floral Cartouche","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003ePlace this jardinière in a room and it changes the room's centre of gravity. The ivory-glazed ceramic body, swelling with generous proportions, is cinched at top and base by gleaming gilt brass mounts that catch the light the way a chandelier does — in flashes and warmth. Faithfully reproduced in the tradition of Napoleon III Rococo Revival, this is the kind of piece that occupied the salons of Second Empire Paris, where abundance in ornament was understood not as excess but as hospitality made visible.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe ceramic body is finished in a warm ivory glaze, hand-painted at the centre with a richly layered floral bouquet — roses, peonies, and scattered wildflowers rendered in violet, blush, and cobalt. Surrounding the painted panel, gilded acanthus scrollwork traces C-curves across the body in liquid gold, framing the florals within a vocabulary borrowed directly from mid-19th century Sèvres-inspired decorative ware. The gilt brass mounts are cast and chased: the collar rim embossed with repeating foliate relief, the acanthus-leaf handles sweeping upward in a naturalistic arc with a secondary curl at the tip, the four-footed pedestal base raised on scrolled claw feet with further leaf-cast detailing. This is two crafts — ceramics and metalwork — resolved into a single coherent object.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eWidth: 55 cm | Depth: 45 cm | Height: 50 cm | Weight: 5.0 kg. At this scale, the jardinière functions equally well as a statement planter for a live orchid or trailing ivy, or as a purely decorative object requiring no planting at all — its surface holds the eye long enough that what goes inside it is almost beside the point.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eProduced in Egypt by Brass \u0026amp; Wood's artisans, who work in a tradition that joins European decorative vocabulary with Egyptian precision in metalwork. The brass mounts are cast individually, hand-finished, and fitted to the ceramic body. The painted floral panel is applied by hand, with no two pieces entirely identical. This is a replica that earns its place among serious decorative objects.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this jardinière made from?\u003c\/h3\u003e\u003cp\u003eThe body is handcrafted ceramic with an ivory glaze and hand-painted floral decoration. All mounts — the collar, the handles, and the footed base — are cast gilt brass, hand-finished to a polished gold tone.\u003c\/p\u003e\u003ch3\u003eIs this suitable for live plants?\u003c\/h3\u003e\u003cp\u003eYes, though we recommend placing a waterproof inner liner or pot inside to protect the ceramic body and base mounts from prolonged moisture exposure. It is equally effective as a purely decorative object.\u003c\/p\u003e\u003ch3\u003eCan this be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization options on brass finish tone and, upon request, variations in the painted floral motif. Contact our team to discuss your requirements before placing an order.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319302907,"sku":"ENTCAC1888","price":27000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/napoleon-iii-rococo-ceramic-jardiniere-gilt-brass-mounts-floral-cartouche-front-view.png?v=1786877579"},{"product_id":"napoleon-iii-burr-walnut-pedestal-column-ormolu-marble-top","title":"Napoleon III Burr Walnut Pedestal Column with Ormolu Mounts \u0026 Marble Top","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003ePlace this pedestal column in a room and it immediately becomes the argument for everything else around it. Tall, vase-shaped, and swelling with confident Rococo curves, it draws the eye upward before settling on the richly figured burr walnut panels that catch light differently at every hour of the day. This is a piece that understands its own presence — the kind of column that stood in the grand Parisian hôtels particuliers of the Second Empire, bearing bronze figurines, Chinese porcelain, or towering floral arrangements above the heads of Empress Eugénie's guests.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eFaithfully reproduced in the tradition of Napoleon III Second Empire cabinetry, the body is veneered in carefully matched burr walnut — the swirling, eye-like figuring of the burl creating a naturalistic pattern that no two pieces can replicate exactly. The silhouette follows the characteristic bombé waist of the period: wide shoulders narrowing dramatically to a pinched mid-section before flaring again into four swept cabriole legs finished with antique gold ormolu sabots. The white marble top, rimmed with a continuous draped-ribbon ormolu gallery, completes the composition with the cool, mineral authority that French cabinetmakers always trusted to anchor their warmest veneers.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eThe ormolu mounts deserve particular attention. A central panel on each face carries a fully modelled mount of intertwined laurel wreaths, ribbons, and pendant floral swags — the decorative vocabulary of the Second Empire in miniature. Beaded ormolu banding traces every edge and angle of the column body, catching candlelight or chandelier glow and turning the seams of the piece into gilded lines of definition. Corner mounts at the shoulder reinforce the structural transitions with characteristic Second Empire ornamental confidence. Every mount is cast, chased, and applied by hand.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eThis pedestal column is handcrafted by Brass \u0026amp; Wood artisans in Egypt, drawing on a workshop tradition that combines European period knowledge with the patient, detail-oriented craft that this category demands. The French-polished veneer surface is built up in multiple sessions to achieve the depth and clarity that distinguishes a genuine French polish from a simple lacquer. The ormolu mounts are individually fitted and secured. This is a column made to hold something precious — and to be considered precious itself.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this pedestal column made from?\u003c\/h3\u003e\u003cp\u003eThe body is constructed from Romanian solid redwood (under 10% humidity) veneered in burr walnut, with antique gold ormolu brass mounts and a white marble top surface. All materials are selected for both visual impact and long-term structural integrity.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly is required — typically securing the marble top and attaching any transit-protected elements. Full instructions are included, and the process requires no specialist tools.\u003c\/p\u003e\u003ch3\u003eCan this pedestal be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization of marble top color, ormolu finish tone, and veneer species. Contact our team to discuss bespoke options before placing your order.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319335675,"sku":"ENTWOOD8858","price":21850.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/napoleon-iii-burr-walnut-pedestal-column-ormolu-marble-top-front-view.png?v=1786877582"},{"product_id":"napoleon-iii-rococo-black-ceramic-jardiniere-gilt-bronze-floral-cartouche-entcac1889","title":"Napoleon III Rococo Revival Black Ceramic Jardinière with Gilt Bronze Mounts \u0026 Floral Cartouches","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003ePlace this jardinière on a console table in an entrance hall and it commands the room before a single word is spoken. The deep jet-black glaze of the ceramic body reads almost lacquer-like under warm light, making the richly gilt-bronze mounts glow by contrast — a deliberate tension that defines the Napoleon III decorative vocabulary. This is a piece that understands its own drama without overclaiming it.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eFaithfully reproduced in the tradition of the French Second Empire (1852–1870), this jardinière pairs a high-fired black ceramic vessel with hand-cast and chased gilt-bronze mounts. The pierced Rococo-scrollwork collar at the rim, the twin foliate branch handles rising from C-scroll bases, and the four-legged pedestal with acanthus-clad paw feet are all hallmarks of the Napoleon III style — a period that deliberately revived the opulence of the Louis XV era but layered it with a more theatrical, almost operatic confidence. The front and reverse each carry a hand-painted oval cartouche depicting loose floral bouquets in warm ochre and rose tones against a fawn ground, framed by gilded Rococo scrollwork that spills freely across the black glaze.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eWeighing 5.0 kg, the piece has the heft that signals quality — not a lightweight decorative reproduction but a substantial object with real presence. The gilt-bronze pedestal raises the ceramic body off any surface, giving the composition verticality and allowing the paw feet to read clearly from a standing viewpoint. The open top makes this a functional cachepot: place a potted orchid or seasonal flowering plant inside and the arrangement becomes a moment of Parisian salon theater.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery mount, handle, and scroll on this jardinière is hand-cast and hand-finished by Egyptian craftsmen trained in the classical European tradition. Brass \u0026amp; Wood produces each piece to order, ensuring that the gilding is applied with care and the ceramic body meets the exacting quality standards that distinguish a serious reproduction from a mass-produced imitation. The result is a cachepot that carries the visual authority of a 19th-century Parisian workshop — and the assurance of a modern maker who stands behind every detail.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this jardinière made from?\u003c\/h3\u003e\u003cp\u003eThe body is high-fired black ceramic with hand-painted floral cartouches. The mounts, handles, collar, and pedestal are hand-cast brass with a bright gold finish — no lacquer shortcuts, just proper gilded metalwork.\u003c\/p\u003e\u003ch3\u003eCan this be used as a real plant pot?\u003c\/h3\u003e\u003cp\u003eYes — this is a cachepot, designed to hold a potted plant inside. It is not waterproof on its own, so always use a plastic liner or a nursery pot inside to protect the ceramic from direct moisture.\u003c\/p\u003e\u003ch3\u003eCan this piece be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization on brass finish and, upon request, alternative cartouche designs. Contact us before placing your order to discuss available options.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319433979,"sku":"ENTCAC1889","price":27000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/napoleon-iii-rococo-black-ceramic-jardiniere-gilt-bronze-floral-cartouche-front-view.png?v=1786877584"},{"product_id":"napoleon-iii-marquetry-wood-pedestal-column-marble-shaft-gilt-corinthian-capital-entwood8859","title":"Napoleon III Marquetry Wood Pedestal Column with Marble Shaft \u0026 Gilt Corinthian Capital","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003eThis pedestal commands its corner the way a column commands a palace façade — with vertical authority and ornamental precision. Inspired by the Napoleon III \/ Second Empire tradition of the 1850s–1870s, when Parisian decorators fused architectural grandeur with eclectically sourced luxury materials, this display column brings genuine architectural drama into the domestic interior. The central veined marble shaft — turned and tapered in the manner of a classical Roman column — is cradled within a mahogany frame that functions simultaneously as showcase and sculpture. It is a piece that announces what will be placed upon it before anything has been set there at all.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe frame is constructed from Romanian solid redwood (\u0026lt;10% humidity), French-polished to a deep, warm mahogany tone that catches light along its carved profiles. The marquetry panels decorating the frieze of the cap and the shaped apron of the base are inlaid with golden arabesque scrollwork — a hallmark of the Second Empire's eclectic borrowing from Renaissance and Baroque ornamental vocabularies. At the crown, a fully realized gilt Corinthian capital in cast brass rises over the marble shaft, its acanthus leaves modeled with the depth and shadow expected of period furniture of this caliber. The base rests on a shaped plinth with serpentine molding finished in gilded beading — the same vocabulary used on Napoleon III commodes and salon cabinets of the era. The marble shaft itself is turned from genuine veined stone, its warm grey-brown coloration evoking the antique marbles of European palace interiors.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eThis pedestal column is designed for display use — its proportions calculated to elevate a bust, decorative urn, or jardiniére to eye level in a formal room. The square marble-topped cap provides a stable, flat display surface. The open sides of the frame allow the marble shaft to be viewed from all angles, turning the column itself into the primary decorative object. SKU: ENTWOOD8859.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery element of this pedestal is handcrafted in Egypt by artisans trained in classical European furniture traditions. The marquetry inlay is cut and laid by hand; the brass Corinthian capital is cast and hand-finished; the French polish is applied in multiple sessions, rubbed back between coats to achieve the deep, reflective surface that defines a truly fine piece. Brass \u0026amp; Wood brings the craftsmanship of the Second Empire ateliers into the modern home — faithfully, without compromise.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this pedestal made from?\u003c\/h3\u003e\u003cp\u003eThe frame is solid Romanian redwood with a French polish finish. The decorative inlay panels feature hand-laid marquetry in golden tones. The column shaft is genuine veined marble. The Corinthian capital and base gilding are cast and finished brass. All materials are selected for durability and visual authenticity.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly is required — the pedestal arrives largely pre-assembled. The marble column shaft and cap may be fitted on-site following the included instructions.\u003c\/p\u003e\u003ch3\u003eCan this pedestal be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization options including alternative marble selections, frame finish adjustments, and marquetry pattern variations. Please contact our team to discuss bespoke requirements before ordering.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319466747,"sku":"ENTWOOD8859","price":18000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/01-entwood8859_1.png?v=1786877587"},{"product_id":"napoleon-iii-rococo-revival-porcelain-cachepot-gilt-bronze-dragon-handles-entcac1883","title":"Napoleon III Rococo Revival Hand-Painted Porcelain Cachepot with Gilt Bronze Dragon Handles","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003ePlace this cachepot on a console table and watch it hold the room's attention without asking for it. The wide, rounded body swells with quiet authority — the cream-toned porcelain ground a canvas for polychrome floral basket panels framed by delicate gold latticework and scrolling arabesques. This is a piece that rewards looking closely: the more you study it, the more deliberate each decision becomes.\u003c\/p\u003e\u003cp\u003eFaithfully reproduced in the tradition of Napoleon III Second Empire Rococo Revival decorative arts — the dominant taste of mid-19th century Paris — this cachepot draws from the opulent interiors of the Tuileries and the grand salons that defined European luxury during the reign of Napoleon III. The Rococo Revival of that era was not a simple imitation of Louis XV; it was a richer, more theatrical interpretation, layering gilded bronze mounts onto painted porcelain with an exuberance that the 18th century never quite reached.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe body is hand-painted porcelain in a warm biscuit-cream tone, decorated with a central polychrome scene of a flower-filled basket suspended by a blue ribbon — a motif directly descended from Sèvres decorative tradition. Flanking the central panel, gilded arabesques and trellis panels are painted with fine-line precision. The gilt brass mounts are the piece's structural drama: a heavily worked pedestal base with acanthus-leaf apron and four scrolled cabriole feet; a rim collar of repoussé foliate ornament at the top; and two dragon-form handles rising from the shoulders, their scales and winglets cast with the crispness that separates quality foundry work from mass production. Every mount is finished in a warm, bright gold — the kind that catches candlelight and lamplight differently at different hours.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eWeight: 5.0 kg. The cachepot ships with its gilt brass pedestal base as a light assembly — the base seats securely beneath the porcelain body. Designed as a statement tabletop or console accent, it is proportioned to hold a planted arrangement, a seasonal display, or to stand alone as pure decorative sculpture.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery piece in the Brass \u0026amp; Wood collection is handcrafted in Egypt by artisans trained in classical European decorative traditions. The porcelain body is hand-painted by skilled decorators; the brass mounts are individually cast, chased, and finished by hand. No two pieces are identical — minor variations in the painted panels and gilding are the mark of authentic handcraft, not flaws. Custom colorways and panel motifs are available on request.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this cachepot made from?\u003c\/h3\u003e\u003cp\u003eThe body is hand-painted porcelain. The handles, rim collar, and pedestal base are cast brass finished in bright gold. Total weight is 5.0 kg.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly — the gilt brass pedestal base attaches to the porcelain body and seats securely without tools. Setup takes under two minutes.\u003c\/p\u003e\u003ch3\u003eCan this be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization of the brass finish (antique gold, bronze, or silver tones) and can discuss alternative panel decoration on request. Contact our team for bespoke orders.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319499515,"sku":"ENTCAC1883","price":27000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/napoleon-iii-rococo-revival-porcelain-cachepot-gilt-bronze-dragon-handles-front-view.png?v=1786877590"},{"product_id":"louis-xvi-neoclassical-mahogany-corner-cabinet-pedestal-ormolu-mounts-marset5009","title":"Louis XVI Neoclassical Mahogany Corner Cabinet Pedestal with Ormolu Mounts","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003eThere is a particular kind of authority that comes from a piece designed to occupy a corner — not to fill space, but to anchor it. This Louis XVI Neoclassical corner pedestal draws from the design vocabulary of late eighteenth-century French court furniture: tapered form, strict vertical discipline, and decorative restraint that nevertheless manages to command full attention. Inspired by the columnar pedestals that once stood in the great salons and antechambers of Versailles, this piece was built to carry something worthy of display — a bust, an urn, a prized objet d'art — while remaining an object of considerable interest in its own right.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe body is constructed from Romanian solid redwood with a humidity content below 10%, ensuring dimensional stability across seasons. The surface is finished in a deep mahogany French polish — a labor-intensive technique in which multiple thin coats of shellac are applied by hand with a pad, building depth and warmth in the grain that lacquer simply cannot replicate. The defining decorative element is the suite of antique gold ormolu mounts: shell-and-scroll cartouches at the crown, acanthus-leaf corner brackets, rosette medallions at the panel intersections, and a delicate foliate keyhole escutcheon at the door face. Thin brass stringing traces each panel edge, reinforcing the Neoclassical emphasis on linear geometry. The tapered octagonal plan — wider at the top, narrowing toward a stepped circular base — echoes the column forms that defined Louis XVI cabinetry at its most architecturally rigorous.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eThis pedestal functions as a corner cabinet, with an interior storage space accessed through the front door secured by a brass keyhole mount. The stepped circular base provides visual grounding and prevents the tall tapered form from appearing top-heavy. The crossbanded top in contrasting wood veneer adds a further layer of Neoclassical refinement — a technique associated with the ébénistes of the Jacob and Riesener ateliers. The overall silhouette is designed to read clearly from across a room: structured, purposeful, elegant without ornamental excess.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery detail of this pedestal is produced by hand in Brass \u0026amp; Wood's Egyptian workshops, where artisans trained in traditional European cabinetmaking techniques work with tools and methods faithful to the original period. The ormolu mounts are cast and individually finished, the French polish is applied by hand over multiple sessions, and the brass stringing is inlaid by hand into routed channels. This is not a production-line piece — it is a faithful interpretation of Louis XVI cabinetmaking tradition, made one at a time.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this pedestal made from?\u003c\/h3\u003e\u003cp\u003eThe body is constructed from Romanian solid redwood finished in a hand-applied French polish. The decorative mounts and stringing are antique gold brass, cast and hand-finished individually.\u003c\/p\u003e\u003ch3\u003eDoes this piece have interior storage?\u003c\/h3\u003e\u003cp\u003eYes. The front panel is a door secured by a brass keyhole mount, opening to a usable interior storage cavity — functional as well as decorative.\u003c\/p\u003e\u003ch3\u003eCan this pedestal be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization in finish tone, mount finish, and interior dimensions. Contact our team to discuss bespoke requirements.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319532283,"sku":"MARSET5009","price":19000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/louis-xvi-neoclassical-mahogany-corner-cabinet-pedestal-ormolu-mounts-front-view.png?v=1786877592"},{"product_id":"napoleon-iii-rococo-cobalt-porcelain-jardiniere-antique-gold-bronze-floral-medallion-entcac14777","title":"Napoleon III Rococo Revival Cobalt Porcelain Jardinière with Antique Gold Bronze Mounts \u0026 Floral Medallion","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003ePlace this jardinière at the center of a formal reception room and it does something that most decorative objects cannot: it commands attention without demanding it. The deep cobalt ground — that particular shade the French ateliers of the Second Empire perfected in their Sèvres-inspired productions — absorbs the surrounding light and then returns it through the warm gleam of antique gold bronze. This is a piece that makes a room feel like it has always had it.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eFaithfully reproduced in the tradition of Napoleon III Rococo Revival decorative arts (1852–1870), this jardinière is built around a hand-thrown cobalt porcelain body richly painted in gilt acanthus scrollwork across its flanking panels. The crowning element is the encircling antique gold bronze collar — cast with a dense foliate and shell relief pattern — that locks the porcelain body into a sculptural bronze armature. Twin handles rise from the collar in sweeping acanthus-leaf brackets terminating in confronting bird finials, a distinctly Second Empire theatrical flourish. The piece rests on four paw-footed bronze legs mounted to a matching foliate apron, giving the whole composition a confident visual weight. Every bronze element is cast, chased, and finished by hand at our Egyptian atelier.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eWeight: 5.0 kg. The globular body is proportioned for tabletop or console placement — broad enough to hold a generous floral arrangement or a planted specimen, yet balanced enough not to overwhelm a side table or entryway console. The painted oval medallion on the primary face depicts a woven flower basket overflowing with roses, irises, and summer blooms — a motif drawn directly from the polychrome porcelain panels favored in mid-19th-century French decorative arts.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eBrass \u0026amp; Wood produces each piece in our Cairo workshops, where craftsmen trained in European classical techniques apply the same processes used in the original Second Empire ateliers: hand-casting bronze components, hand-painting porcelain panels, and assembling each mount individually. No two pieces are precisely identical — the hand-painted medallion carries the natural variation of the painter's hand. Customization of the porcelain ground color or bronze finish is available on request.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this jardinière made from?\u003c\/h3\u003e\u003cp\u003eThe body is hand-painted cobalt porcelain. All decorative mounts — the collar, handles, pedestal feet, and foliate apron — are cast antique gold bronze. No marble or wood components are present in this piece.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eNo assembly is required. The jardinière arrives fully assembled and ready to display.\u003c\/p\u003e\u003ch3\u003eCan this piece be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization of the porcelain ground color and the bronze finish tone. Contact our team to discuss options before placing your order.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319565051,"sku":"ENTCAC14777","price":27000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/04-entcac14777_1.png?v=1786877595"},{"product_id":"napoleon-iii-rococo-revival-marquetry-pedestal-column-gilt-bronze-vase-marble-top","title":"Napoleon III Rococo Revival Marquetry Wood Pedestal Column - Gilt Bronze Vase-Form with Marble Top","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003eThere are pieces that furnish a room, and there are pieces that define it. This vase-form pedestal column, faithfully reproduced in the tradition of Napoleon III Rococo Revival cabinetmaking, belongs to the second category. Its silhouette — swelling from a squared footed base through a sinuous waist to a broad shoulder before tapering to a squared neck — is unmistakably drawn from the grand decorative vocabulary of Second Empire Paris, where furniture makers competed to outdo one another in the lavishness of their marquetry and the precision of their ormolu mounts. The result was not decoration for its own sake, but a statement about the room it occupied.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe body is constructed from Romanian solid redwood (under 10% humidity), providing the structural stability necessary for a piece of this scale and form. The entire surface is dressed in a meticulously applied chevron marquetry pattern — diagonal wood veneers arranged in a herringbone rhythm that catches the light differently at every angle, giving the column a quiet visual energy even when standing still. Applied over this wood canvas are hand-cast gilt bronze ormolu mounts: a draped floral swag tied with a ribbon bow at the body's centre panel, classical urn finials at the shoulder corners, scrolling acanthus handles at the waist, and delicate foliate sabots at each of the four feet. The top surface is finished with a marble panel, providing a cool, durable platform for sculpture, floral arrangements, or a lamp. The finish throughout is French polished to a warm satin depth that allows the wood grain and marquetry to breathe beneath.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eThis is a tall, floor-standing column designed to read from across a room. The squared-section silhouette, unusual among pedestal columns that more commonly present as round, gives it a architectural quality — it reads as much as a structural element as a decorative one. The four splayed feet, each capped with a gilt bronze acanthus mount, provide visual lift and prevent the column from appearing anchored too heavily to the floor. Specific dimensions are available on request.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery element of this pedestal is produced by hand in the Brass \u0026amp; Wood workshops in Egypt, where craftsmen trained in European classical techniques apply the same standards of marquetry cutting, veneer pressing, bronze casting, and French polishing used in the great Parisian ateliers of the mid-nineteenth century. The result is a piece that carries the visual authority of the period without compromise — and that will hold its presence in a room for generations. Customization of dimensions, finish tone, marble selection, or brass patina is available on request.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this pedestal column made from?\u003c\/h3\u003e\u003cp\u003eThe structural core is Romanian solid redwood at under 10% humidity. The surface is dressed in chevron marquetry wood veneer, finished with French polish. The decorative mounts are hand-cast gilt bronze. The top panel is marble.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eNo assembly is required. The column arrives as a single complete piece, ready to place.\u003c\/p\u003e\u003ch3\u003eCan this pedestal be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization of overall dimensions, finish tone, marble top selection, and brass mount patina. Contact us to discuss your requirements before placing your order.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319597819,"sku":"ENTWOOD8855","price":26200.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/04-entwood8855.png?v=1786877598"},{"product_id":"napoleon-iii-rococo-revival-porcelain-cachepot-hand-painted-floral-gilt-bronze-entcac98566","title":"Napoleon III Rococo Revival Porcelain Cachepot - Hand-Painted Floral Basket with Gilt Bronze Mounts","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003ePlace this cachepot on a console table in a well-lit hallway and watch it draw every eye in the room. The ivory porcelain body — rounded and full in the French \u003cem\u003epot pourri\u003c\/em\u003e tradition — carries a hand-painted floral basket on its front face: roses, irises, and wildflowers tumbling from a wicker basket tied with a blue ribbon, rendered with the delicate confidence of a Sèvres-trained hand. The gilt bronze mounts that frame, crown, and foot the piece are not ornaments applied after the fact — they are structural partners that elevate the porcelain into a complete sculptural statement.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eFaithfully reproduced in the tradition of Napoleon III Second Empire decorative arts — the era (1852–1870) when French luxury manufacture reached a feverish peak of technical ambition and eclectic splendour — this cachepot pairs a hand-thrown and hand-painted porcelain vessel with cast gilt bronze mounts of considerable detail. The rim mount features a continuous band of foliate scrollwork that transitions into two dramatically arching handles, each terminating in a naturalistic bird perched among leaves — a distinctly Second Empire flourish. The four-footed pedestal base rises on acanthus-cast claw feet and carries its own frieze of scrolling botanical ornament, providing a visual anchor equal in weight to the body above.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eWeighing 5.0 kg, the piece has the presence and mass of a serious decorative object — not a trinket. The porcelain ground is ivory-white, with gilded cartouche panels flanking the central painted scene; the reverse shows a matching gilt foliate panel without a painted medallion, allowing the piece to read well from any angle. Every bronze surface has been cast and finished by hand, with a warm 24-carat gold tone that reads as rich rather than brash — consistent with the best Second Empire workshop production.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eProduced in Egypt by Brass \u0026amp; Wood artisans drawing from generations of decorative arts craft, this cachepot demonstrates that the highest traditions of European porcelain and gilt bronze work are alive in skilled hands today. Each piece is individually hand-painted — no two are perfectly identical — and the bronze mounts are cast and assembled by hand, ensuring a level of finish that machine production cannot replicate. Brass \u0026amp; Wood takes pride in making these historically significant designs accessible without compromising the integrity of the craft.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this cachepot made from?\u003c\/h3\u003e\u003cp\u003eThe body is hand-painted porcelain. The rim, handles, and pedestal base are cast brass with a gold finish, replicating the gilt bronze (doré) mounts of original Second Empire decorative objects.\u003c\/p\u003e\u003ch3\u003eIs this suitable as a planter or purely decorative?\u003c\/h3\u003e\u003cp\u003eThis piece functions primarily as a decorative cachepot — designed to hold a planted pot inside without the pot being visible. It is not waterproof and direct planting is not recommended. Always use a liner pot.\u003c\/p\u003e\u003ch3\u003eCan this be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization options including alternative floral painting subjects, ground colors, and brass finish tones. Contact our team to discuss your requirements.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319630587,"sku":"ENTCAC98566","price":27000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/03-entcac98566.png?v=1786877602"},{"product_id":"chinoiserie-blue-white-ceramic-jardiniere-gilt-brass-dragon-handle-footed-planter-entcac7624","title":"Chinoiserie Blue \u0026 White Ceramic Jardinière with Gilt Brass Mounts – Dragon Handle Footed Planter","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003eSet this jardinière on a console in a sunlit hallway and the room shifts. The cobalt brushwork — winding botanical stems, stylised peony blooms, and cascading leaf motifs — catches and holds the eye before the gold even registers. Then the gilt brass asserts itself: the scrolling dragon handles on each side, the acanthus-wrapped rim collar, and the claw-footed pedestal base that lifts the whole piece into something more than a plant holder. This is the chinoiserie tradition at full expression — European taste reaching for the mystery and richness of the Far East, formalized into an object of considered decorative intent.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe body is hand-painted ceramic in the blue-and-white tradition that captivated European courts from the late 17th century onward. The cobalt pigment is applied over a pale celadon-tinged ground, creating the characteristic layered depth of the chinoiserie palette. The interior of the rim is finished with a Greek key band in cobalt, visible when viewed from above — the kind of detail that signals a craftsman's pride, not a factory's indifference. The gilt brass mounts — rim collar, twin dragon-form handles, and the four-footed scrolled base — are cast separately and fitted to the ceramic body, following the French tradition of mounting porcelain with ormolu to protect and elevate the piece. Every brass surface is polished to a warm gold and embossed with period-appropriate foliate ornament.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eHeight: 42 cm. Width (including handles): 37 cm. Weight: 5 kg. The generous bowl opening makes this jardinière practical as well as decorative — suitable for potted plants, floral arrangements, or as a standalone decorative object filled with dried botanicals or moss. The footed brass base allows airflow beneath the piece, protecting both the furniture surface and the ceramic from heat and moisture.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery Brass \u0026amp; Wood jardinière is produced in Egypt by craftsmen who work in the living tradition of European decorative arts manufacture. The ceramic body is shaped and hand-painted; the brass mounts are individually cast, chased, and polished before assembly. No two pieces are entirely identical — minor variations in the brushwork and the patina of the brass are the natural signature of hand production. Customization of brass finish and ceramic color palette is available on request.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this jardinière made from?\u003c\/h3\u003e\u003cp\u003eThe body is hand-painted ceramic. The rim collar, dragon handles, and footed base are cast gilt brass. No marble or resin components are used in this piece.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly — the brass base and rim collar are fitted to the ceramic body before dispatch, but final seating of the components may need minor adjustment on arrival.\u003c\/p\u003e\u003ch3\u003eCan this be customized?\u003c\/h3\u003e\u003cp\u003eYes. The brass finish can be specified in antique gold, bright gold, or antique bronze. Alternative color palettes for the ceramic body can be discussed for larger orders. Contact our team for bespoke options.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319663355,"sku":"ENTCAC7624","price":17000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/01-entcac7624.png?v=1786877605"},{"product_id":"napoleon-iii-rococo-malachite-jardiniere-antique-gold-acanthus-mounts-entcac3309","title":"Napoleon III Rococo Revival Malachite-Finish Jardinière with Antique Gold Acanthus Mounts","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003ePlace this jardinière at the entrance of a formal reception room, and the room immediately acquires a focal point that draws every eye. The deep, swirling greens of the malachite-effect body carry the visual authority of the stone that furnished the Winter Palace in St. Petersburg — a color that reads simultaneously as nature and luxury. Faithfully reproduced in the tradition of the Napoleon III Rococo Revival period (1852–1870), this piece draws from the design vocabulary of the Second Empire's appetite for theatrical splendor: rich materials, ornate gilt mounts, and forms that announce themselves without apology.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe body of the jardinière is rendered in a malachite-finish resin, capturing the characteristic concentric banding and deep emerald variations of natural malachite without the fragility of the stone itself. The antique gold brass mounts — a wide engraved collar at the rim, a matching banded skirt at the base, and two elaborate acanthus-leaf handles — are cast and finished by hand. The four-footed scrolled pedestal base features acanthus C-scroll feet that echo the handles above, creating a composition that reads as unified from every angle. Every surface of the brass work shows the hallmarks of handcrafted finishing: the engraved motifs on the collar, the modeled depth of each leaf curl, the deliberate aged warmth of the antique gold patina.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eWeighing 5.0 kg, the jardinière has the physical presence to anchor a console table or stand alone on a pedestal. The open vessel form makes it suitable for fresh or dried floral arrangements, as a cachepot for a planted urn, or as a standalone decorative object. The antique gold brass collar and base provide strong horizontal lines that emphasize the globular volume of the body — a proportion drawn directly from Second Empire French decorative arts.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery piece bearing the Brass \u0026amp; Wood name is produced in Egypt by craftsmen trained in classical European decorative traditions. The malachite-effect finish is applied by hand, layer by layer, to achieve the depth and movement of the natural stone. The brass fittings are individually cast, hand-finished, and assembled to the body — a process that ensures each jardinière is a distinct object rather than a mechanical reproduction. This is what separates a Brass \u0026amp; Wood piece from a mass-produced decorative item: the hours of skilled hand work that leave their mark in every detail.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this jardinière made from?\u003c\/h3\u003e\u003cp\u003eThe body is crafted from high-quality resin with a hand-applied malachite-effect finish. The collar, base band, handles, and pedestal feet are antique gold-finished brass, cast and hand-assembled. No natural malachite or marble is used — the effect is achieved through skilled surface treatment.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eNo assembly is required. The jardinière arrives fully assembled and ready to display.\u003c\/p\u003e\u003ch3\u003eCan this piece be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization options including alternative brass finishes (silver, bronze, bright gold) and body color treatments. Contact our team to discuss your requirements before ordering.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319696123,"sku":"ENTCAC3309","price":27000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/napoleon-iii-rococo-malachite-jardiniere-antique-gold-acanthus-mounts-front-view.png?v=1786877607"},{"product_id":"chinoiserie-hand-painted-porcelain-jardiniere-gilt-brass-pedestal-dragon-handles-entcac7623","title":"Chinoiserie Hand-Painted Porcelain Jardinière with Gilt Brass Pedestal \u0026 Dragon Handles","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003ePlace this jardinière in any room and the eye goes to it immediately — not because it demands attention, but because it earns it. Panels of hand-painted peonies, exotic pheasants, and fluttering butterflies wrap the porcelain body in the full colour drama of the Chinese famille rose tradition, while a dense black ground panel threaded with gilt botanical patterns provides visual contrast that gives the piece its weight and sophistication. This is chinoiserie at its most assured: European fascination with the East rendered in porcelain, reframed for the modern interior.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe body is fine porcelain, hand-painted with multiple glaze firings to achieve the characteristic translucent luminosity of the famille rose palette — soft lavenders and dusty pinks against white, anchored by the rich black and gold panel. The gilt brass components are cast and hand-finished: a sculpted pedestal base raised on four claw feet with acanthus leaf relief, and a pair of dragon-form handles rising from the shoulder of the vessel with foliate detail. The junction of porcelain and brass is clean and precise — evidence of the careful fitting that separates a well-made piece from a merely decorative one. The rim carries a repeating geometric band in rust, gold, and turquoise — a border motif drawn directly from Imperial Chinese porcelain decoration.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eAt 37 cm wide and 42 cm tall, this jardinière occupies the scale of a serious decorative statement without overwhelming a surface. The open top accommodates a planted pot, a floral arrangement, or serves as a purely sculptural object. The brass pedestal base distributes the visual mass elegantly, lifting the porcelain body off the surface and completing the composition. Total weight: 5 kg.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery piece in the Brass \u0026amp; Wood collection is handcrafted in Egypt by artisans trained in classical European decorative techniques. The brass components are cast and hand-finished individually; the porcelain is painted by hand. No two pieces are precisely identical — the marks of the hand are part of the piece. Brass \u0026amp; Wood's Egyptian workshops bring together the precision of classical craftsmanship and the heritage of a country with its own centuries-long tradition of decorative arts.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this jardinière made from?\u003c\/h3\u003e\u003cp\u003eThe body is hand-painted porcelain. The base, handles, and rim mounts are cast gilt brass, hand-finished to a bright gold finish.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly — the brass pedestal base and handles may require simple attachment to the porcelain body. Full instructions are included.\u003c\/p\u003e\u003ch3\u003eCan this be used as an actual plant pot?\u003c\/h3\u003e\u003cp\u003eYes. The open top accommodates a standard nursery pot. We recommend placing a plastic liner inside to protect the porcelain interior from moisture. It also works as a purely decorative object or for floral arrangements.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319728891,"sku":"ENTCAC7623","price":11000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/08-entcac7623.png?v=1786877610"},{"product_id":"napoleon-iii-rococo-revival-gilded-floor-mirror-segmented-frame-urn-crest-mascaron-walwoo3396","title":"Napoleon III Rococo Revival Gilded Floor Mirror - Segmented Frame with Urn Crest \u0026 Mascaron Brackets","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003eStand before this gilded floor mirror and the room doubles. At 195 cm tall and 120 cm wide, it commands a wall the way a formal portrait commands a salon — with authority, symmetry, and controlled grandeur. The frame is structured in the Second Empire manner: not a single continuous border, but a segmented architectural composition of vertical side panels, a beaded inner moulding, and a broad outer rail, all locked together by bold corner rosettes. Every panel reads as its own element; together they form a coherent façade of antique gold that fills the peripheral vision before the reflection even registers.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eFaithfully reproduced in the tradition of Napoleon III Rococo Revival — the period when French cabinetmakers consciously revived the exuberance of the Louis XV era, but filtered it through the heavier, more theatrical taste of the Second Empire court. The crest is the centrepiece: two flanking decorative urns bracket a central carved cartouche of cascading foliage and floral clusters, the whole assembly rising from a broken pediment form that gives the mirror its distinctive silhouette. Below the crest, paired floral rosette bosses anchor the transition to the side panels. Midway down each side, carved mascaron brackets — faces emerging from leafwork — provide visual pause points and add a note of classical drama that is unmistakably Second Empire in character.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eThe frame is constructed from Romanian solid redwood with a humidity content below 10%, ensuring dimensional stability across different climates. Ornamental elements are hand-carved and finished in a warm antique gold lacquer that catches available light without the harsh reflectivity of bright gilding. The mirror plate is set within the beaded inner moulding; the segmented side panels carry their own narrow mirror inserts, extending the reflective field and creating depth at the frame's edges — a technique drawn directly from the pier mirrors of mid-19th century Parisian interiors. Total dimensions: 195 cm (H) × 120 cm (W).\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEach mirror in Brass \u0026amp; Wood's collection is built and finished by hand in Egypt, where craftsmen trained in classical European ornamental techniques shape, carve, and gild every element before assembly. The antique gold finish is applied in multiple stages, building depth and warmth rather than a flat metallic coat. This is a mirror designed not merely to reflect, but to anchor a room's visual identity — placed in a hallway, it greets every arrival; positioned in a formal salon or reception, it becomes the room's defining vertical element.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this mirror made from?\u003c\/h3\u003e\u003cp\u003eThe frame is constructed from Romanian solid redwood (below 10% humidity) with hand-applied resin ornamental elements finished in antique gold lacquer. The mirror plate is clear glass; the side panel inserts are also mirror glass.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly is required — the mirror arrives largely pre-assembled. Wall-mounting hardware or floor-leaning support should be arranged by a professional installer given the scale (195 × 120 cm) and weight of the piece.\u003c\/p\u003e\u003ch3\u003eCan this mirror be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization on finish color and, in some cases, frame proportions. Contact our team to discuss options for your specific space.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319761659,"sku":"WALWOO3396","price":54000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/01-walwoo3396.png?v=1786877612"},{"product_id":"empire-ebonized-octagonal-jardiniere-gilt-pilaster-columns-71cm","title":"Empire Ebonized Octagonal Jardinière with Gilt Pilaster Columns — 71 cm","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003eSet a jardinière at the entrance of a formal reception room and it does something no artwork on a wall can quite replicate: it holds life — a sculptural vessel that bridges architecture and nature. This handcrafted Empire-style octagonal jardinière draws from the design vocabulary of the Napoleonic period (1800–1830), when furniture was conceived not merely as utility but as architecture in miniature. The octagonal silhouette, the deep lacquer-black ground, the gilt pilasters rising like columns on a triumphal arch — every element reflects the Empire's taste for grandeur resolved into precise geometry.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eConstructed from Romanian solid redwood (below 10% humidity) for structural integrity that resists warping in variable climates, the body receives a deep gloss ebonized lacquer finish — achieving the dark, near-reflective surface that the Empire period used to evoke ebony at a fraction of the material cost, while gaining superior dimensional stability. The gilt brass pilaster columns are hand-applied at each faceted corner, their capitals carrying cast rosette mounts — the four-petalled quatrefoil device used throughout Empire decorative vocabulary as a symbol of classical refinement. White-line panel framing runs across each face, creating a visual field that organizes the composition with the discipline of architectural drawing.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eThe jardinière measures 62 cm × 62 cm at the base and rises to 71 cm — proportions calibrated for a large ornamental planting arrangement or as a standalone architectural statement. The open interior, clearly visible from the three-quarter angle, is finished in the same ebonized black, maintaining visual consistency whether planted or styled with decorative objects. The chamfered base plinth gives the piece visual weight without bulk, anchoring it to the floor with quiet authority.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery jardinière in the Brass \u0026amp; Wood collection is produced by hand in Egypt, combining traditional joinery techniques with period-accurate ornamental metalwork. The pilaster columns and rosette mounts are individually cast and gilded, then hand-positioned to align precisely with the faceted corners of the octagonal form. Quality control follows each piece through lacquering, gilding, and finishing — ensuring the high-gloss surface and metalwork meet the standard required for luxury interior placement.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this jardinière made from?\u003c\/h3\u003e\u003cp\u003eThe body is constructed from Romanian solid redwood with a deep gloss ebonized lacquer finish. Decorative elements — pilaster columns, rosette corner mounts, and panel framing lines — are in gilt brass, hand-applied and finished individually.\u003c\/p\u003e\u003ch3\u003eIs this suitable for live plants?\u003c\/h3\u003e\u003cp\u003eThe jardinière is designed as a decorative planting vessel. For live plants, we recommend using an inner liner or waterproof container to protect the lacquered wood interior. It is equally well-suited as a display vessel for dried arrangements, sculptural branches, or decorative objects.\u003c\/p\u003e\u003ch3\u003eCan this piece be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization in lacquer color (including alternative finishes such as deep forest green or burgundy), brass finish tone (antique gold, silver, or bronze), and panel detailing. Contact our team with your requirements.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319794427,"sku":"ENTCAC1030","price":21850.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/empire-ebonized-octagonal-jardiniere-gilt-pilaster-columns-71cm-front-view.png?v=1786877615"},{"product_id":"rococo-revival-gilded-floor-mirror-arched-crest-acanthus-205x100","title":"Rococo Revival Gilded Floor Mirror – Arched Crest \u0026 Acanthus Corner Mounts 205×100cm","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003eThere is a particular authority that a large gilded floor mirror commands in a room. Standing 205 cm tall and 100 cm wide, this piece does not simply reflect — it organises the space around it. Position it at the end of an entrance hall and it doubles the depth of the corridor; lean it against a bedroom wall and the room immediately acquires a dressing-room formality that no other single piece can provide. The arched top, rising to a carved shell-and-acanthus crest, draws the eye upward and anchors the mirror within the tradition of the French pier mirror — tall, vertical, designed to fill the space between windows or to command a prominent wall.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe frame is constructed from Romanian solid redwood seasoned to below 10% humidity — a baseline that prevents warping and ensures the carved reliefs hold their definition through decades of use. Every ornamental element is hand-carved: the shell crest at the summit, flanked by tight volute scrolls; the bold acanthus-leaf corner mounts that anchor each angle of the frame with equal weight top and bottom. The finish is an antiqued gold — warm, matte-satin rather than brassy, closer to the water-gilded surfaces of 18th-century French workshop production than to modern metallic paint. The result reads as aged without pretending to be old.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eAt 205×100cm, this is a full-presence floor mirror. The plate glass sits within a double-moulded inner frame, the inner bead providing visual separation between the reflective surface and the carved outer surround. The corner mounts are raised in high relief — visible from across a room, casting their own small shadows as the light shifts through the day. The arched transition from the flat side rails to the curved upper section is smooth and continuous, a detail that distinguishes a well-made reproduction from a factory cast.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eThis mirror is produced in Egypt by Brass \u0026amp; Wood craftsmen drawing on the European classical tradition. Each frame is shaped, carved, and finished by hand — the carving tools following the grain of the redwood to achieve crisp leaf edges and rolling scroll profiles. The antiqued gold finish is applied in multiple tonal layers, building depth rather than uniformity. No two frames are identical; the hand-work ensures that each piece carries the minor variations that distinguish craft from manufacture.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this mirror made from?\u003c\/h3\u003e\u003cp\u003eThe frame is solid Romanian redwood (below 10% humidity), hand-carved and finished in an antiqued gold lacquer. The mirror plate is clear flat glass.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly only — the mirror arrives ready to lean or hang, with minor fitting of any hanging hardware if wall-mounted.\u003c\/p\u003e\u003ch3\u003eCan this mirror be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization on finish colour and frame dimensions. Contact our team to discuss your specific requirements before ordering.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319859963,"sku":"WALOO575452","price":39600.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/rococo-revival-gilded-floor-mirror-arched-crest-acanthus-205x100-front-view.png?v=1786877617"},{"product_id":"napoleon-iii-rococo-cobalt-blue-ceramic-jardiniere-gilt-brass-stand-acanthus-handles-entcac3329","title":"Napoleon III Rococo Revival Cobalt Blue Ceramic Jardinière with Gilt Brass Stand \u0026 Acanthus Handles","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003eThere is a particular confidence to this piece — the deep cobalt blue glaze holds the room's light and returns it slowly, while the gilt brass mounts catch every glance with a flash of gold. This jardinière draws directly from the decorative vocabulary of Napoleon III's Second Empire France (1852–1870), when Parisian ateliers produced lavishly appointed porcelain jardinieres mounted in ormolu for the grand salons and conservatories of the Second Empire elite. The combination of a richly colored ceramic body with applied gilt-metal mounts was the defining statement of that era's decorative ambition — opulence made tactile.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe ceramic body is hand-thrown and fired to a deep navy blue glaze, its surface bearing a reserved cartouche on each face — a soft blush-ground panel hand-painted with a loose bouquet of roses, forget-me-nots, and foliage rendered in the naturalistic tradition of Sèvres-style porcelain painting. Gold scrollwork borders the cartouche on the blue ground, applied with a fine brush before a second firing locks the gilding in place. The gilt brass mounts are cast and hand-chased: a deeply repoussé rim collar embossed with foliate scrolls sits at the neck; two lateral handles rise in asymmetric acanthus-and-foliage curves that curl at the tips — a Rococo flourish entirely characteristic of the Napoleon III Revival idiom. The four-footed brass pedestal base is itself a composition — scrolled aprons, cabriole-inflected feet with foliate knees, and a pierced central skirt that allows the piece to breathe visually.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eAt 56 cm wide and 51 cm tall, this jardinière is scaled for presence: substantial enough to anchor a console table or the center of a salon arrangement, yet refined in its proportions to avoid heaviness. The open ceramic bowl accepts a planted liner comfortably, making this as functional as it is decorative. Weight: 5.0 kg.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery element of this jardinière — the ceramic throwing and glazing, the hand-painted floral medallion, the cast and chased brass mounts, and the final assembly — is produced in Egypt by Brass \u0026amp; Wood craftsmen trained in classical European decorative traditions. The gilt brass work references the French ormolu-mounting technique, adapted for contemporary production while preserving the visual language of the originals. This is not a mass-produced import: it is a handcrafted interpretation of a specific historical decorative form, made with deliberate care.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this jardinière made from?\u003c\/h3\u003e\u003cp\u003eThe body is hand-glazed ceramic in a deep cobalt blue with hand-painted floral decoration and applied gold brushwork. The mounts, handles, rim collar, and pedestal base are cast gilt brass, hand-finished.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly is required — the brass pedestal base and the ceramic body are shipped separately and fit together securely without tools.\u003c\/p\u003e\u003ch3\u003eCan this piece be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization options including alternative glaze colors and brass finish variants. Contact our team to discuss your requirements before placing your order.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319892731,"sku":"ENTCAC3329","price":27000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/01-entcac3329.png?v=1786877620"},{"product_id":"napoleon-iii-rococo-ceramic-planter-claret-antique-gold-floral-medallion-entcac1934","title":"Napoleon III Rococo Revival Ceramic Planter — Claret \u0026 Antique Gold Floral Medallion","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003ePlace this planter on a console table or a pedestal in a formal salon and it commands the corner without demanding attention — it earns it. The deep claret ground, the depth of a well-aged Burgundy, sets the stage for the antique gold cartouche that rises from the base in flowing Rococo scrolls, framing a circular painted medallion as a portrait frame holds a miniature. The overall impression is that of a Sèvres-style decorative object scaled for the living room — Napoleon III Rococo Revival at its most domestic and assured.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe body is ceramic, tapered gently from the open square top to the base — a silhouette drawn from 19th-century European jardinière tradition. The claret glaze is applied as a uniform, deep ground that reads almost lacquered in certain light. Over it, the antique gold decorative cartouche is rendered with precise brushwork: lattice-filled centre field, asymmetric C-scroll borders, and a base scrollwork that anchors the medallion visually. Within that cartouche, a hand-painted oval panel depicts a loose bouquet — roses, tulips, and blue florals — in the naturalistic tradition of Napoleon III decorative porcelain. The painting repeats on every face of the piece, giving it full 360° presence. This is handcrafted in Egypt by artisans drawing on the European decorative painting tradition.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eThe planter carries a weight of 5.0 kg, indicating a substantial ceramic body suited to live plants or as a dry decorative object. The square-to-tapered form accommodates standard pot inserts. Dimensions are confirmed upon order. The open top and interior claret finish make it equally suitable as a cachepot concealing a plastic nursery pot or as a standalone decorative piece holding dried botanicals or rolled documents.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eBrass \u0026amp; Wood produces this piece in Egypt, where artisans trained in European decorative traditions hand-paint each medallion and apply each gilded cartouche individually. No two pieces are exactly identical — the painted bouquet carries the small, honest variations that separate handwork from mechanical reproduction. The piece is finished to the standard of a luxury decorative accessory, not a mass-produced item.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this planter made from?\u003c\/h3\u003e\u003cp\u003eThe body is ceramic with a deep claret glaze. The decorative cartouche is applied in antique gold, and the central medallion is hand-painted with floral motifs in the tradition of 19th-century European decorative porcelain.\u003c\/p\u003e\u003ch3\u003eCan it be used with live plants?\u003c\/h3\u003e\u003cp\u003eYes — the open top accommodates a standard nursery pot insert. We recommend using a waterproof liner to protect the interior finish when used with live plants.\u003c\/p\u003e\u003ch3\u003eCan this be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization on color ground, medallion motif, and size. Contact us to discuss bespoke requirements for your project or interior scheme.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319925499,"sku":"ENTCAC1934","price":6000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/napoleon-iii-rococo-ceramic-planter-claret-antique-gold-floral-medallion-front-view.png?v=1786877624"},{"product_id":"napoleon-iii-baroque-revival-gilded-arched-floor-mirror-corinthian-column-pilasters-mascaron-base-walwoo800214","title":"Napoleon III Baroque Revival Gilded Arched Floor Mirror – Corinthian Column Pilasters \u0026 Mascaron Base","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003ePlace this mirror at the end of an entrance hall and the room doubles in an instant — the arched plate pulling the ceiling upward, the antique gold frame catching whatever light it can find. This is a piece that announces itself before anyone speaks. Faithfully reproduced in the tradition of the Napoleon III Second Empire period (1852–1870), when French decorators returned to the Baroque with a confidence that bordered on theatre, this mirror embodies that impulse at its most disciplined. The arched form, the flanking Corinthian column pilasters, the mascaron base, and the acanthus-crowned cartouche at the crest — every element is a quotation from the classical vocabulary, assembled with the Second Empire's characteristic passion for grandeur.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe frame is constructed from Romanian solid redwood (dried to below 10% humidity for dimensional stability), then hand-carved by artisans who trained in the tradition of European ornamental woodwork. The depth and crispness of the acanthus leaves along the arched border, the precisely modelled Corinthian capitals atop each pilaster, and the layered shell motif at the base are indicators of the hours of hand work behind this piece. The carved surface is finished in a rich antiqued gold — applied over a gesso ground and burnished selectively to allow the warmth of the underlying wood to read through the high-relief sections. The mirror plate itself is set within a beaded inner border, the arch echoing the columnar gate form of the overall composition.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eThis floor mirror is proportioned for rooms with generous ceiling heights — the vertical emphasis of the arched plate and the strong vertical rhythm of the flanking columns make it equally effective as a standalone entrance statement or paired above a gilded console table. The serpentine base, carved with acanthus scrolls and centred by a sculpted shell, provides visual stability to a composition that might otherwise read as weightless. Dimensions are available on request; custom sizing is offered.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery Brass \u0026amp; Wood mirror is produced in Egypt by craftsmen who work entirely by hand — carving, finishing, and gilding without resort to machine duplication. This piece carries the SKU WALWOO800214 and is available for customisation in frame finish, gilding tone, and mirror plate size. Delivery is estimated at 30–45 days from order confirmation. The piece ships fully packed in reinforced crating with corner protection for each carved element.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this mirror made from?\u003c\/h3\u003e\u003cp\u003eThe frame is solid Romanian redwood, hand-carved and finished in an antiqued gold over a gesso ground. The mirror plate is standard clear glass set within the carved arched frame. Resin elements complement the carved wood detailing in the most intricate sections.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly is required — primarily attaching the base section to the upright frame using the provided hardware. Full instructions and fixings are included with every order.\u003c\/p\u003e\u003ch3\u003eCan this mirror be customised?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customisation on frame finish (antiqued gold, bright gold, silver leaf, painted), mirror plate size, and overall frame dimensions. Contact us before placing your order to discuss your requirements.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319958267,"sku":"WALWOO800214","price":162000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/01-walwoo800214.png?v=1786877626"},{"product_id":"napoleon-iii-rococo-revival-porcelain-planter-hand-painted-floral-gold-scrollwork-entcac1936","title":"Napoleon III Rococo Revival Porcelain Planter - Hand-Painted Floral Bouquet Panels with Gold Scrollwork","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003eSet this planter on a console table or mantelpiece and the room shifts register. The four painted panels — each an independent bouquet of roses, tulips, and wildflowers — catch the eye before anything else does. The piece draws from the Napoleon III Rococo Revival tradition of mid-19th century Paris, when French taste turned back toward the ornamental richness of the Ancien Régime but filtered it through the new industrial capacity for finely printed and hand-gilded porcelain. The result was a decorative vocabulary that felt both historical and contemporary — which is precisely why it translates so well into a modern interior.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe body is formed in fine white porcelain with a gently tapering square profile — wider at the top rim, narrowing at the base — that gives the piece visual stability while allowing the four decorated faces to read clearly. Each face carries a hand-painted floral bouquet framed within a gilded cartouche of asymmetric C-scrolls and rocaille shells, rendered in matte gold against a blush pink reserve. The lattice-pattern gilded ground at the upper portion of each panel references the fond écaillé (scale ground) popular on Sèvres and Dresden porcelain of the period. The interior rim is finished with a continuous gold band, the one detail that ties all four faces into a unified composition. Handcrafted in Egypt by artisans trained in European porcelain painting tradition.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eHeight: 30 cm | Width: 22 cm | Depth: 22 cm | Weight: 5 kg. The square format and generous proportions make this planter appropriate for tabletop or console styling, and substantial enough to anchor a floral arrangement without competing with it. The open top accommodates a standard planter pot insert or can be used as a decorative cachepot for an existing potted plant.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eBrass \u0026amp; Wood produces this piece in Egypt, where skilled artisans apply each floral panel and gilded cartouche by hand — a process that preserves the visual warmth and slight variation of traditional European porcelain decoration. No two pieces will be entirely identical, which is the mark of genuine handwork. The piece faithfully reproduces the decorative vocabulary of Second Empire French porcelain without requiring a trip to a Paris auction house.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat is this planter made from?\u003c\/h3\u003e\u003cp\u003eThe body is fine white porcelain. Decoration is applied by hand using mineral pigments and gold, then fired to fix the colours and gilding permanently to the surface.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eNo assembly required. The piece arrives ready to display.\u003c\/p\u003e\u003ch3\u003eHow should I care for this porcelain planter?\u003c\/h3\u003e\u003cp\u003eDust with a dry soft cloth. For light soiling, wipe gently with a lightly damp cloth and dry immediately. Avoid prolonged direct sunlight, which can fade the mineral pigments over time. Do not submerge in water or use abrasive cleaning products. If used as a cachepot for live plants, use a waterproof inner pot to protect the interior.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186319991035,"sku":"ENTCAC1936","price":6000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/05-entcac1936.png?v=1786877629"},{"product_id":"louis-xv-rococo-gilded-pier-mirror-triple-panel-carved-crest-190cm","title":"Louis XV Rococo Gilded Pier Mirror - Triple-Panel Carved Crest 190cm","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003eThere are mirrors that reflect a room, and there are mirrors that redefine it. This Louis XV Rococo pier mirror — standing 190cm tall and stretching 120cm wide — belongs firmly to the second category. The moment it takes its place on a wall, the room orients itself around it. The gilded frame radiates warmth across every surface, and the triple-panel composition — two narrow flanking mirror strips flanking a broad central plate — creates a visual architecture that transforms even a plain hallway into a formal reception passage.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eFaithfully reproduced in the tradition of the great Parisian menuisiers of the Louis XV period (1730–1770), this mirror is hand-carved from Romanian solid redwood, kiln-dried to below 10% humidity for dimensional stability. The carved details — asymmetric C-scrolls cascading down the stiles, delicate floral garlands clustered at the lower rail, and a dramatic pierced cartouche crest with scrolling acanthus — are executed in the high-relief style characteristic of the French Rococo atelier. The entire frame is finished in an antiqued gold leaf treatment that deepens in the recesses and catches light on the raised carvings, a deliberate contrast that gives the piece its three-dimensional vitality. Each mirror plate is clear glass set within shaped rebates that follow the frame's curved architecture.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eAt 190cm height and 120cm width, this piece commands a full wall presence without overwhelming a standard room. The proportions are calibrated for placement above a console table in an entry hall, flanking a fireplace, or as the terminal feature of a reception corridor. The three-panel mirror composition — a design device perfected in 18th-century Parisian hôtels particuliers — multiplies light and creates layered reflections that animate the space. The projecting shelf-like ledge at the base of the crest panel is a hallmark of the trumeau tradition, providing visual separation between the decorative panel and the mirror plate below.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery element of this mirror is produced by hand in our Cairo atelier, where craftsmen trained in the traditions of classical European woodcarving shape each detail with chisels and gouges before gilding. The carving is not applied decoration — it emerges from the solid wood frame, ensuring that every scroll and garland is structurally part of the piece. Brass \u0026amp; Wood's commitment to material integrity means the redwood core will hold its form through decades of changing humidity, while the antiqued gold finish is sealed to resist fading. This is a piece that improves with age, as the gilding acquires the subtle tonal depth of a well-maintained period frame.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this mirror made from?\u003c\/h3\u003e\u003cp\u003eThe frame is hand-carved from Romanian solid redwood (below 10% humidity) and finished with an antiqued gold leaf treatment over a gesso ground. The mirror plates are clear glass set within shaped rebates in the frame. Resin composition elements are used for the finest filigree details in the crest carving.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly is required — the mirror ships in protective packaging and requires only wall-mounting hardware installation. Detailed instructions and mounting templates are included.\u003c\/p\u003e\u003ch3\u003eCan this mirror be customized?\u003c\/h3\u003e\u003cp\u003eYes. We offer customization in frame finish color, mirror plate tinting (clear, antique, or bronze-tinted glass), and overall dimensions. Contact our atelier for bespoke commission details.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186320023803,"sku":"WALWOO3388","price":54000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/louis-xv-rococo-gilded-pier-mirror-triple-panel-carved-crest-190cm-front-view.png?v=1786877631"},{"product_id":"french-rococo-painted-wall-mirror-sage-green-gilt-scroll-floral-frame-walwoo3392","title":"French Rococo Painted Wall Mirror – Sage Green \u0026 Gilt C-Scroll Floral Frame","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003ePlace this mirror on an entrance hall wall and the room changes its character immediately. The soft sage green ground — painted and lightly aged to read like old French lacquerwork — provides the canvas against which an entire vocabulary of Rococo ornament plays out: trailing rose garlands, asymmetric C-scrolls, shell cartouches and leaf clusters that seem to grow from the frame itself. At the crown, a carved shell medallion flanked by scrolling acanthus anchors the crest, while a shaped apron and four flanking mirror panels lend the composition an architectural quality well beyond a simple looking glass. This is a faithful interpretation of the French Provincial Rococo mirror tradition — pieces made in 18th-century Provence and Bordeaux that translated Parisian court fashions into lighter, painterly forms for country châteaux and town houses.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe frame is constructed from Romanian solid redwood dried to below 10% humidity — a critical specification that prevents warping and guarantees the carved details hold their crispness over decades. Every floral cluster, every scroll terminus, every shell petal is hand-carved and then hand-painted in a pale sage green with selective antique gold gilding applied to the relief ornament. The gilding is not a spray or a foil — it is worked into the carved surfaces with a fine brush to let the sage ground breathe beneath it, exactly as period craftsmen painted and picked out their frames. The result is a depth and liveliness that flat gilded frames cannot achieve.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eThe mirror features a shaped central plate flanked by two narrow vertical mirror inserts within the frame composition, plus a shaped upper window opening above — creating a tri-partite plate arrangement typical of the larger French Rococo overmantel and pier mirror tradition. The overall frame reads as a single coherent composition when viewed from a distance, while close inspection rewards with the carved detail density. Weight is 5 kg. Specific overall dimensions should be confirmed with our sales team.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery Brass \u0026amp; Wood mirror is produced in our Cairo atelier by craftsmen trained in European classical carving and finishing traditions. The sage-and-gold painted finish on this piece requires multiple stages: base coat, pigment layer, controlled aging, gilding application, and a final protective lacquer that preserves the finish without deadening its warmth. No two hand-finished pieces are identical — minor variations in the gilding patina are a mark of authenticity, not inconsistency.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this mirror made from?\u003c\/h3\u003e\u003cp\u003eThe frame is solid Romanian redwood (humidity below 10%), hand-carved and painted in sage green with antique gold gilt highlights. The mirror plates are standard glass. Decorative relief elements are built up with shaped resin appliqués carved and finished by hand.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eNo assembly is required. The mirror arrives ready to hang, with hanging hardware pre-fitted to the back of the frame.\u003c\/p\u003e\u003ch3\u003eCan this mirror be customized?\u003c\/h3\u003e\u003cp\u003eYes. We offer customization on frame paint color, gilding tone (antique gold, bright gold, or silver), and mirror plate finish (standard clear, antiqued\/foxed glass). Contact our team to discuss your requirements before placing your order.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186320056571,"sku":"WALWOO3392","price":54000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/french-rococo-painted-wall-mirror-sage-green-gilt-scroll-floral-frame-front-view.png?v=1786877634"},{"product_id":"renaissance-revival-solid-wood-plant-holder-pierced-scrollwork-carved-frieze","title":"Renaissance Revival Solid Wood Plant Holder - Pierced Scrollwork Carved Frieze","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003eThere is a moment, standing before a piece like this, when the grain of the wood and the rhythm of the carving resolve into a single coherent statement. This solid wood plant holder — square in plan, open at the top — draws on the Renaissance Revival vocabulary that swept the decorative arts of the 1860s–1890s: dense, interlaced scrollwork friezes derived from Italian \u003cem\u003erinceaux\u003c\/em\u003e and Northern European grotesque ornament, rendered here in full relief and pierced right through the panel. The natural warm honey tone of the wood only deepens the visual contrast between the smooth-grained upper body and the turbulent, shadowed frieze below.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eCrafted from Romanian solid redwood with a humidity content below 10%, this piece begins as a precisely joined square form — four panels assembled with tight corner joinery — before the artisan's chisels define the central frieze. The carving band wraps all four sides without interruption, each corner handled with a confident butt join that allows the pattern to turn cleanly. The scrollwork is fully pierced: light passes through the interleaved C-scrolls, foliate tendrils, and central acanthus medallion, creating a lantern-like effect when the piece is backlit. The surfaces are finished to a warm natural lacquer that protects the grain without masking it.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eAt 60 cm tall with a 42×42 cm square plan, this plant holder has the proportions of a pedestal rather than a pot cover — it commands space rather than filling it. The open top accommodates standard round or square planters. Weight: 5 kg. The piece ships fully assembled with no installation required.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery unit is produced by hand in Egypt, where Brass \u0026amp; Wood's workshops bring together traditional European carving techniques and locally trained master craftsmen. The pierced frieze — the most labor-intensive element — is executed entirely by hand, making each piece subtly unique. Customization of finish tone and dimensions is available on request.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this plant holder made from?\u003c\/h3\u003e\u003cp\u003eIt is made entirely from Romanian solid redwood (humidity below 10%), hand-carved and finished with a protective natural lacquer. No composite or MDF components are used.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eNo. The piece ships fully assembled and ready to place.\u003c\/p\u003e\u003ch3\u003eCan this be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization of finish color, dimensions, and carving density. Contact our team before placing your order to discuss options.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186320089339,"sku":"ENTCAC1939","price":31000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/renaissance-revival-solid-wood-plant-holder-pierced-scrollwork-carved-frieze-side-view.png?v=1786877637"},{"product_id":"rococo-revival-ivory-lacquered-pier-mirror-gilded-floral-carved-triple-panel-walwoo3393","title":"Rococo Revival Ivory Lacquered Pier Mirror - Gilded Floral Carved Pediment with Triple Mirror Panels","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003ePlace this mirror at the end of an entrance hall and the room doubles — the carved ivory frame commanding the wall the way a great portrait commands a gallery. At 190 cm tall and 120 cm wide, it is furniture at the scale of architecture: a piece that does not merely occupy a wall but defines it. The composition draws from the French Rococo pier mirror tradition, where height was used deliberately to connect floor to ceiling and create the illusion of infinite depth. The ivory lacquered ground, touched throughout with antique gold relief work, catches warm light and releases it slowly across the room.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe frame is constructed from Romanian solid redwood with a humidity content below 10% — a material prized for its stability and receptiveness to fine carving detail. Over this, a hand-applied ivory lacquer ground has been built up in successive coats, each sanded back before the next is laid, to produce the smooth, warm finish visible in the photographs. The relief carvings — scrolling acanthus, delicate floral garlands, and C-scroll corner ornaments — are then gilded in antique gold, a tone that reads as warm brass rather than bright gilt, appropriate to the Rococo Revival palette. The triple mirror plate composition (one large central plate flanked by two vertical panels) is a direct reference to the French trumeau and pier mirror tradition, maximizing light reflection while creating a layered visual depth unique to this format.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eHeight: 190 cm | Width: 120 cm. The scrolled pediment at the crown features a central shell cartouche with flanking C-scroll volutes — the most densely carved zone of the frame and the first element the eye lands on when entering a room. The lower apron carries a symmetrical floral medallion, anchoring the composition at the base. Flanking vertical panels are set within the frame structure and separated from the central plate by carved column-form dividers, giving the mirror a three-dimensional architectural quality distinct from a simple flat frame.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eProduced in Egypt by Brass \u0026amp; Wood artisans working in the tradition of classical European decorative carving, this mirror faithfully reproduces the design vocabulary of the Rococo Revival period. Every element — from the layered lacquer ground to the gilded relief — is applied by hand, making each piece a unique interpretation of the original. The craft knowledge behind this piece is the same that has supplied palaces, grand hotels, and formal reception rooms across the region for decades.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this mirror made from?\u003c\/h3\u003e\u003cp\u003eThe frame is solid Romanian redwood (humidity below 10%), finished in hand-applied ivory lacquer with antique gold gilded relief carvings. The mirror plates are standard quality glass.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly is required — the mirror ships in protective packaging and requires only final positioning and wall-anchoring hardware, which is included.\u003c\/p\u003e\u003ch3\u003eCan this mirror be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization on frame color, lacquer tone, and gilding finish. Contact our team to discuss your specific requirements.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186320122107,"sku":"WALWOO3393","price":54000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/01-walwoo3393.png?v=1786877640"},{"product_id":"napoleon-iii-emerald-cut-glass-planter-gilt-bronze-acanthus-mounts","title":"Napoleon III Rococo Revival Emerald Cut-Glass Planter with Gilt Bronze Acanthus Mounts","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003ePlace this piece on a console table in a well-lit hallway and watch what happens: the diamond-cut emerald glass catches every available beam of light and throws it back into the room in fractured green prisms. The gilt bronze acanthus scrolls — climbing the corners, arching across the base, trailing from the rim handles — complete the picture. This is a room-changer, not simply a plant holder.\u003c\/p\u003e\u003cp\u003eInspired by the most theatrical objects produced during the Napoleon III \/ Second Empire period (1852–1870), this planter draws from a specific design tradition: the French fashion for combining richly coloured cut glass with elaborately cast gilt bronze mounts, perfected in the workshops of Paris's finest ateliers during the reign of Napoléon III. What distinguishes these pieces from their Louis XV predecessors is the conscious drama — the colour is deeper, the bronze heavier, the cut pattern more assertive. This is Rococo Revival with Parisian confidence.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe vessel is formed from deep emerald green glass cut in an all-over diamond lattice (en losange), a pattern that maximises the refractive brilliance of the glass while lending the cylindrical form a sense of structured precision. The gilt bronze mounts — corner acanthus columns, scrolled rim gallery, arched base supports — are cast and hand-chased, with the leafwork retaining its three-dimensional crispness. The gold finish is warm and consistent, avoiding the harsh brightness of electroplated substitutes. Combined weight: 5.0 kg — substantial enough to sit with authority on any surface.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eHeight: 44 cm | Width: 35 cm | Depth: 24 cm. The cylindrical glass body accommodates a standard nursery pot or serves as a standalone decorative vessel. The two scroll handles at the rim allow repositioning without touching the glass body directly — a thoughtful functional detail drawn from the original period pieces.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery mount on this planter is cast, finished, and fitted by hand in Brass \u0026amp; Wood's Egyptian workshop, where craftsmen trained in classical European metalwork techniques produce each piece individually. The glass body is selected for colour consistency and cut clarity before assembly. No two pieces are identical in their minor details — this is the nature and the virtue of genuine handcraft. Customisation of glass colour or bronze finish is available on request.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this planter made from?\u003c\/h3\u003e\u003cp\u003eThe body is diamond-cut emerald green glass. The mounts, handles, base feet, and rim gallery are cast gilt brass with a warm gold finish. No plastic components are used.\u003c\/p\u003e\u003ch3\u003eCan this be used as an actual plant pot?\u003c\/h3\u003e\u003cp\u003eYes. The glass vessel can hold a nursery liner pot directly, or can be used with a waterproof insert. It is equally effective as a purely decorative object — for dried botanicals, sculptural stems, or standing alone.\u003c\/p\u003e\u003ch3\u003eCan the finish or glass colour be customised?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customisation of the bronze finish (antique gold, silver, bronze) and can explore alternative glass colours for orders. Contact us to discuss your requirements.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186320154875,"sku":"ENTCAC1931","price":7900.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/napoleon-iii-emerald-cut-glass-planter-gilt-bronze-acanthus-mounts-front-view.png?v=1786877642"},{"product_id":"napoleon-iii-cobalt-porcelain-jardiniere-gilt-bronze-mounts-entcac1011","title":"Napoleon III Sèvres-Style Cobalt Porcelain Jardinière with Gilt Bronze Mounts","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003ePlace this jardinière at the center of a reception room and it does what the finest decorative objects are designed to do: it stops conversation mid-sentence. The deep cobalt blue of the porcelain body — a ground color intimately associated with the great Sèvres manufactory — creates a field of intensity against which the gilt bronze mounts burn like hammered sunlight. This piece is faithfully reproduced in the tradition of Napoleon III Second Empire decorative arts, the period of French history when opulence was not merely permitted but required, and when the drawing rooms of Paris set the visual standard for the entire Western world.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe body is formed in high-fired porcelain, its cobalt ground achieved through a process that demands consistency of temperature and glaze chemistry to produce that characteristic deep, saturated blue without clouding. Two principal decorative cartouches punctuate the form: on the front face, a polychrome pastoral landscape painted in the manner of 18th-century French fête champêtre scenes — figures beneath trees beside water, rendered with the delicate touch of miniaturist painting; on the reverse face, a tightly composed floral still-life basket overflowing with roses, irises, and seasonal blooms, set against a white ground within the gilded cartouche border. Both panels are encircled by scrolled gold foliate borders that anchor them visually to the cobalt ground. The rim collar and base ring are cast gilt bronze, chased with acanthus leaf garlands and egg-and-dart molding — the vocabulary of classical ornament rendered in metal with precision casting and hand-chasing. The four scroll feet carry the weight of the piece with elegance, their C-scroll profiles curving outward in the Rococo Revival manner characteristic of Napoleon III interiors.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eWeighing 5 kg, the jardinière has a presence that reads as substantial without becoming heavy. The gilt bronze handles rise from the rim on both sides, cast as branching acanthus stalks terminating in avian finials — a detail that rewards close examination. The open bowl form allows the piece to function as an actual planter for a statement botanical display, or to stand empty as pure decorative sculpture. The pedestal base is independently formed from the body, allowing for stable placement on console tables, sideboards, or dedicated pedestal stands.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery piece bearing the Brass \u0026amp; Wood name is produced in Egypt by craftsmen trained in the European classical tradition. The porcelain painting, the bronze chasing, and the final assembly are each performed by hand, ensuring that no two pieces are entirely identical. This is not a limitation — it is the point. Machine production removes the human variable; handcrafting reintroduces it. The result is an object with the warmth and slight individual character that mass production cannot replicate. Customization is available: alternative ground colors, different cartouche subjects, and variations in the bronze finish can be specified on request.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this jardinière made from?\u003c\/h3\u003e\u003cp\u003eThe body is hand-painted porcelain with a cobalt blue ground and polychrome painted cartouches. The mounts — rim collar, base ring, handles, and feet — are cast brass with a bright gold finish, hand-chased with acanthus and classical motifs.\u003c\/p\u003e\u003ch3\u003eCan this be used as a functional planter?\u003c\/h3\u003e\u003cp\u003eYes. The open bowl form is designed to hold a planted pot insert. We recommend using a waterproof liner to protect the porcelain interior. Contact our team for liner specifications.\u003c\/p\u003e\u003ch3\u003eCan this piece be customized?\u003c\/h3\u003e\u003cp\u003eYes. Alternative ground colors, cartouche subjects, and brass finish tones are available on request. Lead times for customized pieces are typically 45–60 days. Contact Brass \u0026amp; Wood directly to discuss specifications.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186320187643,"sku":"ENTCAC1011","price":27000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/napoleon-iii-cobalt-porcelain-jardiniere-gilt-bronze-mounts-front-view.png?v=1786877645"},{"product_id":"napoleon-iii-ormolu-cobalt-porcelain-jardiniere-floral-medallion-entcac4322","title":"Napoleon III Ormolu-Mounted Cobalt Porcelain Jardinière — Hand-Painted Floral Medallion","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003ePlace this jardinière in a room and watch the room change around it. The deep cobalt ground — that particular, saturated blue that Sèvres manufactory perfected under Napoleon III's patronage — draws the eye across any distance. Against that ground, a hand-painted oval medallion of white and blush roses, rendered in the soft naturalistic manner of mid-19th-century French decorative porcelain, seems almost to float. This is a faithful interpretation of the lavish Sèvres-style jardiniéres that graced the salons and conservatories of Second Empire Paris, crafted to bring the same visual authority into the modern interior.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe body is formed in fine porcelain, glazed in cobalt and finished with gilt cartouche surrounds that frame the painted medallion on each face. Over the porcelain, a full suite of ormolu-style gilt brass mounts is applied with precision: a reticulated crown collar of foliate scrollwork crowns the opening; a structured base with four acanthus-capped claw feet elevates the body from the surface; and two dragon-form handles — each cresting a scrolled gilt branch — extend from rim to shoulder with the controlled exuberance characteristic of Napoleon III decorative arts. The casting detail in the handles is notable: the dragon scales, the extended claws gripping the rim, the feathered crest — all rendered in sharp relief.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eAt 58 cm wide and 54 cm tall, this jardinière commands a surface without dominating it. It is sized for a credenza top, a centre hall console, or a pair of matching flanking pedestals in a formal reception. The reticulated crown collar means it can be used as a true planter with a liner, or displayed as a pure decorative object. Weight: 5 kg.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery piece from Brass \u0026amp; Wood is handcrafted in Egypt by artisans trained in classical European decorative arts techniques. The gilt brass mounts are cast individually, finished by hand, and fitted to the porcelain body with jeweller's precision. The floral medallion is painted by a specialist decorator, not transferred — each piece carries the minor, welcome variations that distinguish hand work from mechanical reproduction.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this jardinière made from?\u003c\/h3\u003e\u003cp\u003eThe body is fine porcelain with cobalt glaze and hand-applied gilt decoration. The mounts — collar, base, handles, and feet — are cast gilt brass in the ormolu tradition. No marble or wood is used in this piece.\u003c\/p\u003e\u003ch3\u003eCan it be used as a functioning planter?\u003c\/h3\u003e\u003cp\u003eYes. The open crown collar accommodates a standard liner or pot. We recommend using a waterproof liner to protect the interior porcelain and gilt detailing from moisture.\u003c\/p\u003e\u003ch3\u003eCan this be customized?\u003c\/h3\u003e\u003cp\u003eYes. We can adapt the base metal finish (antique gold, silver tone) and, on request, commission alternative painted medallion subjects. Contact us to discuss bespoke options before ordering.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186320253179,"sku":"ENTCAC4322","price":27000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/napoleon-iii-ormolu-cobalt-porcelain-jardiniere-floral-medallion-front-view.png?v=1786877651"},{"product_id":"victorian-floral-ceramic-planter-vase-hand-painted-rose-bouquet-wine-antique-gold-entcac1994","title":"Victorian Floral Ceramic Planter Vase - Hand-Painted Rose Bouquet on Wine \u0026 Antique Gold","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003eSet this vase on a console table in a well-lit hallway and something changes in the room — the deep wine ground absorbs the space around it while the hand-painted rose bouquet at its center holds the eye. This piece draws directly from the Victorian and Belle Époque tradition of richly decorated ceramic vessels, where the form was secondary to the story told on its surface. The tapered cylinder, wider at the rim than at the base, gives the composition a dignified posture that suits a formal reception as naturally as a country manor sideboard.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe body is handcrafted ceramic, fired to a smooth, even finish and glazed in a saturated wine (burgundy) tone that serves as a canvas for the applied decoration. Around the body, dense antique gold arabesque gilding is applied in scrolling, lattice-like patterns — a technique rooted in the Victorian taste for layering ornament until a surface becomes its own landscape. At the center, an oval cartouche frames a polychrome hand-painted scene: a woven basket overflowing with roses, lily of the valley, lavender, and mixed garden blooms, rendered with the botanical precision that defined the best Victorian decorative ceramics. The gilded rim at the top edge provides a clean architectural finish to the composition.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eHeight: 50 cm | Diameter: 37 cm | Weight: 5.0 kg. The generous diameter makes this suitable for displaying large floral arrangements or as a standalone decorative object. The interior is glazed in the same wine tone, visible when viewed from above — a detail that confirms the care taken in production.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eProduced in Egypt by Brass \u0026amp; Wood artisans faithfully reproducing the decorative ceramic tradition of the Victorian and Belle Époque periods. Each piece is individually painted, meaning no two are exactly identical — minor variations in the brushwork are a natural characteristic of handcrafted production, not a defect. This planter vase is part of a broader collection of classic European decorative accessories crafted in Egypt for the discerning collector.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this planter vase made from?\u003c\/h3\u003e\u003cp\u003eThe vase is handcrafted ceramic with a wine-toned glaze, hand-painted polychrome floral decoration, and antique gold gilding applied to the exterior arabesque pattern and rim.\u003c\/p\u003e\u003ch3\u003eIs this suitable for live plants?\u003c\/h3\u003e\u003cp\u003eThis piece is designed as a decorative cachepot — it is best used as an outer decorative vessel housing a plain inner pot, rather than direct soil planting, to protect the hand-painted surface and gilding.\u003c\/p\u003e\u003ch3\u003eCan this piece be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization options including alternative ground colors and personalized monogram additions. Contact our team to discuss your requirements before placing an order.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186320285947,"sku":"ENTCAC1994","price":9000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/1-entcac1994.png?v=1786877654"},{"product_id":"louis-xvi-neoclassical-jardiniere-gilt-ormolu-cane-lattice-entcac8822","title":"Louis XVI Neoclassical Jardinière with Gilt Ormolu Mounts \u0026 Cane Lattice Panels","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003eIn the formal reception rooms of late 18th-century Paris, the jardinière was never a simple plant holder — it was a statement of taste, a vessel that brought the garden indoors while maintaining the rigorous symmetry of Neoclassical interiors. This piece, faithfully reproduced in the tradition of Louis XVI court furniture, captures that same discipline: a rectangular trough form raised on four tapered, ring-turned legs connected by a lower stretcher, every element governed by proportion rather than whimsy. Where Rococo would have bent and curled, here everything resolves into straight lines and quiet authority.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe frame is built from Romanian solid redwood (under 10% humidity), chosen for its dimensional stability and the warmth of its reddish-brown grain against the gilded brass mounts. The side and front panels are filled with hand-woven cane lattice — a technique that defined refined Neoclassical furniture of the Louis XVI period, admitting light and air while maintaining a structured visual rhythm. The upper rim is edged with a continuous brass banding, and the corner posts carry gilt ormolu sleeve mounts that anchor the panel joins with a crispness that only handcrafted metalwork achieves. The four tapered legs feature multiple gilt ring collars and terminate in small ormolu toe caps. Every brass element is cast and finished by hand in Egypt, following period-accurate gilding standards.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eAt 122 cm wide, 45 cm deep, and 80 cm tall, this jardinière is scaled for significant rooms — a hallway where it can anchor a wall, a salon where it can hold a seasonal flower arrangement, or a reception foyer as a welcome gesture. The centerpiece ornament on the front panel is a cast gilt garland and torch motif — the Louis XVI vocabulary of laurel, ribbon, and classical instrument rendered in three dimensions — suspended from a central rosette and flowing outward in symmetrical swags. The interior trough, open at the top, is suited for potted plants, decorative arrangements, or as a stylized display vessel.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eThis jardinière is crafted at the Brass \u0026amp; Wood workshop in Egypt, where artisans trained in classical European furniture reproduction bring together woodworking, cane weaving, and brass casting under one roof. The result is a piece where each discipline reinforces the others: the wood provides structure, the cane provides texture and lightness, and the brass provides the visual punctuation that elevates the whole. Customization is available — including alternative brass finishes and fabric lining for the interior trough.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this jardinière made from?\u003c\/h3\u003e\u003cp\u003eThe frame is solid Romanian redwood. The panels feature hand-woven natural cane lattice. All decorative mounts, rim banding, ring collars, and toe caps are cast gilt brass (ormolu-style), finished by hand.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly is required — typically attaching the legs to the body before placement. Full instructions are included with delivery.\u003c\/p\u003e\u003ch3\u003eCan this be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass finish, wood stain tone, and interior lining options are available. Contact Brass \u0026amp; Wood directly to discuss your requirements before ordering.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186320351483,"sku":"ENTCAC8822","price":14000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/louis-xvi-neoclassical-jardiniere-gilt-ormolu-cane-lattice-entcac8822-front-view.png?v=1786877660"},{"product_id":"empire-flame-mahogany-jardiniere-gilt-ormolu-fluted-columns-entcac5419","title":"Empire Flame Mahogany Jardinière with Gilt Ormolu Mounts — Fluted Corner Columns","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003eThere is a particular authority to a piece of furniture that holds its ground without announcing itself. This Empire jardinière does exactly that — it occupies a room with the quiet confidence of something that belongs. The flame-figured mahogany body, its grain swirling in warm amber and deep chestnut, is framed by a continuous gilt ormolu border at the top edge and plinth base, binding the composition with the precise, architectural discipline that defined Napoleonic-era cabinetry. Faithfully reproduced in the tradition of the French Empire period (1800–1830), this jardinière draws from the design vocabulary of Jacob-Desmalter and the Percier \u0026amp; Fontaine school — the same atelier tradition that furnished the Tuileries and Malmaison.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe carcass is built from Romanian solid redwood at under 10% humidity, providing the structural integrity that luxury furniture demands. The exterior surfaces are veneered in flame-figured mahogany — a wood chosen by Empire cabinetmakers specifically for the drama of its figuring, which catches raking light like a slow-burning fire. The ormolu mounts are cast and hand-chased gilt brass: the central front cartouche features a scrolling foliate spray, flanked by egg-and-dart bead molding running the full perimeter of the top rail. At each corner, a cast acanthus-leaf plaque anchors the composition, with fluted pilaster columns descending to small gilt sabots at the plinth corners — a detail that speaks directly to the Greco-Roman architectural references the Empire style borrowed so deliberately.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eWidth: 120 cm | Depth: 40 cm | Height: 63 cm. The proportions are considered: wide enough to hold a substantial planting arrangement or a grouping of decorative objects, deep enough to carry visual weight, and at 63 cm standing just below chest height — the correct scale for a hallway or reception room statement piece. The interior is lined in black, which isolates and elevates whatever is displayed within. The chamfered top corners are edged in gilt bead molding, softening the rectilinear silhouette with a touch of refinement.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery jardinière bearing the Brass \u0026amp; Wood mark is handcrafted in Egypt by artisans trained in the European cabinetmaking tradition. The ormolu mounts are individually cast and finished by hand. The veneer is selected, book-matched, and applied by craftsmen who understand that the flame pattern must be centered and symmetrical — a discipline that separates furniture from merely functional objects. This is a faithful interpretation of Empire craftsmanship, made to endure in the modern home.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this jardinière made from?\u003c\/h3\u003e\u003cp\u003eThe structural core is Romanian solid redwood (under 10% humidity). The visible exterior surfaces are veneered in flame-figured mahogany. All decorative mounts — the border moldings, corner plaques, pilaster capitals, and central cartouche — are cast gilt brass (ormolu finish).\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly is required. The piece ships in protective packaging and requires only basic positioning. No specialist tools or technical expertise are needed.\u003c\/p\u003e\u003ch3\u003eCan this jardinière be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization on veneer selection, brass finish tone, and interior lining color. Please contact our team to discuss your requirements before placing your order.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186320417019,"sku":"ENTCAC5419","price":36000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/empire-flame-mahogany-jardiniere-gilt-ormolu-fluted-columns-front-view.png?v=1786877666"},{"product_id":"napoleon-iii-rococo-revival-gold-vitrine-carved-single-door-display-cabinet-entvat7882","title":"Napoleon III Rococo Revival Gold Vitrine - Heavily Carved Single-Door Display Cabinet","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003ePlace this vitrine in a room and the room rearranges itself around it. The gilded frame commands attention the way a chandelier does — not by demanding it, but by earning it through sheer visual density. Every surface carries the hand of the carver: acanthus leaves cascade down the stiles, a monumental scrolled crest erupts from the cornice, and the cabriole feet curl with the organic confidence that defines Napoleon III Rococo Revival at its most theatrical. This is a display cabinet that understands its own importance.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eFaithfully reproduced in the tradition of the Napoleon III Second Empire ateliers, this vitrine is built from Romanian solid redwood dried to below 10% humidity — the standard that prevents warping and ensures the carved relief holds its edge for decades. The frame is finished in a deep gold high-gloss lacquer over a gesso base, creating the warm, almost amber luminosity that distinguishes hand-applied gilding from machine spraying. The curved front glass and flanking side glass panels are fitted to the shaped frame with precision, amplifying the interior light and turning every object displayed inside into the subject of its own private exhibition. Three glass shelves — each with a polished edge — provide tiered display without interrupting the vertical sweep of the composition.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eThe vitrine is offered as a single-door cabinet proportioned for wall placement in a formal salon, reception room, or dining room. The arched cornice crest adds significant visual height, making it read as a full architectural element rather than a piece of furniture. Interior dimensions accommodate crystal, porcelain, silver, or decorative objects of varied scale. Note the carved apron between the cabriole feet — a dense composition of C-scrolls, shell motifs, and leaf clusters that references the original rocaille vocabulary of the 1850s French cabinetmakers who supplied the imperial palaces.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery unit is handcrafted in Egypt by Brass \u0026amp; Wood artisans trained in classical European carving and gilding techniques. The ornamental crest, the stile carvings, and the apron are each carved individually before assembly, ensuring the relief depth and shadow play that mass-production cannot replicate. This is the level of craft that turns a display cabinet into an heirloom.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this vitrine made from?\u003c\/h3\u003e\u003cp\u003eThe frame is constructed from Romanian solid redwood (under 10% humidity) with a hand-applied gold high-gloss lacquer finish over gesso. The door and side panels are clear glass, and the three interior shelves are polished glass.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly is required — primarily attaching the crest piece and positioning the glass shelves. Full instructions are provided with delivery.\u003c\/p\u003e\u003ch3\u003eCan this vitrine be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization of finish color, glass type, and interior shelf configuration. Contact our team to discuss your requirements before placing your order.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186320548091,"sku":"ENTVAT7882","price":45000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/napoleon-iii-rococo-revival-gold-vitrine-carved-single-door-display-cabinet-front-view.png?v=1786877677"},{"product_id":"napoleon-iii-rococo-revival-gilded-vitrine-marble-top-floral-swag","title":"Napoleon III Rococo Revival Gilded Vitrine — Marble Top with Floral Swag Carving","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003ePlace this vitrine in a formal salon and watch how the room reorganizes itself around it. The gilded frame catches every available light — warm afternoon sun, the glow of a chandelier, the flicker of candles — and redistributes it across the room in a wash of gold. This is a cabinet designed not merely to store, but to perform. Faithfully reproduced in the tradition of the Napoleon III Rococo Revival, a period that took the fluid ornament of Louis XV and amplified it with the theatrical confidence of the Second Empire, this vitrine carries that same ambition into the modern interior.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe frame is constructed from Romanian solid redwood (under 10% humidity), hand-carved and finished in a deep lacquered gold. Each section of the frame has been individually worked: the cabriole legs terminate in scroll feet that curl naturally into the apron's rocaille skirt; the corner stiles rise through cascading acanthus and floral relief; and at the crest, a full floral bouquet cartouche crowns the composition. The two arched glass doors are framed by hand-carved swags of flowers and ribbon bows — one of the defining decorative signatures of the Napoleon III period — hung between the stiles with naturalistic ease. The top is a genuine marble slab, grey-veined and cool to the touch, sitting in a carved and gilded cavetto molding that locks it into the frame with architectural precision. Inside, two clear glass shelves allow light to pass through uninterrupted, turning the cabinet interior into a stage lit from every angle.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eDimensions are available on request. The vitrine features two hinged glass doors, two interior glass shelves, and a mirrored back panel that multiplies whatever is displayed within it. The lock is included. The construction combines mortise-and-tenon joinery in the solid wood frame with a lacquered gold finish applied in multiple coats and hand-polished between layers. This is a Brass \u0026amp; Wood handcrafted piece, built in Egypt to the same exacting standards that defined the great cabinet-makers of Paris in the 1860s.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery Brass \u0026amp; Wood piece is made by hand in Egypt, drawing on a workshop tradition that values patience over production speed. The carving on this vitrine — the floral swags, the rocaille apron, the bouquet crest — represents dozens of hours of skilled hand-work. The gold lacquer finish is applied in stages, sanded back and reapplied until the surface holds the depth and warmth of genuine gilding. Customization is available: dimensions, marble color, and interior configuration can be adjusted to suit your space.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this vitrine made from?\u003c\/h3\u003e\u003cp\u003eThe frame is Romanian solid redwood with a lacquered gold finish. The top is genuine marble. The doors and shelves are clear glass. All carving is done by hand.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly is required — typically attaching the marble top and fitting the glass shelves. Full instructions are provided.\u003c\/p\u003e\u003ch3\u003eCan this vitrine be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization on dimensions, marble selection, and interior shelf configuration. Contact us to discuss your requirements before ordering.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186320613627,"sku":"BUFDIN1968","price":93150.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/napoleon-iii-rococo-revival-gilded-vitrine-marble-top-floral-swag-front-view.png?v=1786877683"},{"product_id":"rococo-revival-ivory-vitrine-carved-floral-swags-mirrored-interior-entvat3011","title":"Rococo Revival Ivory Vitrine Cabinet - Hand-Carved Floral Swags \u0026 Mirrored Interior","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003ePlace this vitrine in a room and the room reorganizes itself around it. The ivory frame rises 180 cm, crowned by a carved bouquet of roses and ribbons that spills down across the arched door panel in a cascade of hand-modeled floral swags. This is a Rococo Revival piece in the truest sense — not merely a cabinet with decorative flourishes, but a sculptural statement that draws directly from the mid-18th-century French tradition of treating furniture as architecture. The Napoleon III workshops that revived this language in the 1850s–1870s understood that a vitrine was never just storage: it was a stage.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe frame is built from Romanian solid redwood (\u0026lt;10% humidity) — chosen for its dimensional stability and the depth of grain that rewards a fine painted finish. Every carved element, from the acanthus leaf corbels flanking the door arch to the cascading rose garlands and the floral crest at the crown, is hand-worked and individually applied. The ivory paint finish is layered over a prepared ground, then lightly antiqued at the carved ridges to reveal the relief — a technique that separates craft from production. The single glass door is framed by a shaped molding that follows the arch, and the interior back panel is fitted with mirror glass, so whatever is displayed inside is seen from every angle and in doubled depth.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eAt 180 cm tall, 77 cm wide, and 50 cm deep, this luxury display cabinet offers genuine display volume while its narrow depth keeps it wall-friendly. The four cabriole legs — each carved with scroll knees and terminating in scroll feet — lift the body with the characteristic lightness of the Rococo vocabulary. The single hinged glass door provides clean frontal access. Interior shelving accommodates crystal stemware, porcelain figures, or a curated collection of silver. A single brass-finish handle at the door center completes the hardware palette without competing with the carved ornament.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery piece bearing the Brass \u0026amp; Wood name is handcrafted in Egypt by craftsmen trained in classical European joinery and decorative carving. The production cycle for a vitrine of this complexity runs 45–60 days from order to dispatch — because speed and this level of carved detail are mutually exclusive. The result is a faithful interpretation of Rococo Revival craftsmanship, made with the precision and patience that the original tradition demands. Customization of finish color, hardware, and interior configuration is available on request.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this vitrine made from?\u003c\/h3\u003e\u003cp\u003eThe frame is Romanian solid redwood with an ivory painted and antiqued finish. Decorative carved elements are hand-applied resin and solid wood carvings. The door and side panels are clear glass; the interior back panel is mirror glass.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly is required — typically attaching the legs and positioning the shelves. Full instructions are provided. No specialist tools are needed.\u003c\/p\u003e\u003ch3\u003eCan the finish or interior be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization of the painted finish color, the brass hardware tone, and the number or configuration of interior shelves. Contact our team before placing your order to discuss options.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186320679163,"sku":"ENTVAT3011","price":36000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/01-entvat3011.png?v=1786877688"},{"product_id":"napoleon-iii-rococo-revival-gilt-display-vitrine-crimson-capitonne-acanthus-crown-entvat5371","title":"Napoleon III Rococo Revival Gilt Display Vitrine - Crimson Capitonné Interior \u0026 Acanthus Crown","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003ePlace this vitrine in a room and it does not simply occupy a corner — it makes a declaration. The towering acanthus-leaf crown that crests the cabinet is its most immediate statement: a dense, architectural frieze of carved and gilded leaves that rises above the cabinet body like a coronet, a design signature unmistakably of the Napoleon III \/ Second Empire period (1852–1870). Where a true Louis XV vitrine would rely on the serpentine curve alone, this piece compounds ornament upon ornament in the eclectic spirit of the Second Empire, layering gilding, garlands, cartouches, and cabriole legs into a single coherent composition. The result is a display cabinet that is itself worth displaying.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe frame is constructed from Romanian solid redwood (under 10% humidity), hand-carved by artisans at the Brass \u0026amp; Wood workshop in Egypt and finished in a warm antiqued gold leaf. The acanthus crown and the lower apron — where a bold shell-and-scroll cartouche anchors the four outswept cabriole legs — are carved in the round, not applied in flat relief, giving the piece a sculptural depth that catches light from multiple angles. The door frame carries a bead-and-reel molding, and at its centre hangs the vitrine's most intimate detail: a hand-painted porcelain cartouche surrounded by a swag of carved roses and ribbon-tied laurel, a motif lifted directly from the decorative vocabulary of Second Empire Parisian salon furniture. The interior is lined entirely in crimson button-tufted capitonné fabric — the deep diamond-pleated upholstery that became the defining comfort and luxury gesture of the Napoleon III era — making every object placed inside appear to rest on a jeweller's cushion. Three glass shelves divide the interior into display tiers.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eThe vitrine is a narrow single-column format — tall and slender — designed to fill a pier between windows, a hallway alcove, or a reception corner without dominating the floor plan. All four sides are glazed, meaning the cabinet reads as transparent from every angle and allows objects to be viewed in the round. The cabriole legs are swept outward with confidence, providing a stable base that visually lifts the cabinet off the floor. Please refer to the product specification sheet for precise dimensions; custom sizing is available on request.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery vitrine bearing the Brass \u0026amp; Wood name is produced entirely by hand in our Cairo atelier. The carving of the acanthus crown alone requires a full day's work from a senior craftsman. The gold finish is applied in multiple coats over a gesso ground, burnished selectively to create the contrast between matte leaf surfaces and polished highlights that defines authentic period gilding. This is not a mass-produced piece — lead time reflects the time it deserves.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this vitrine made from?\u003c\/h3\u003e\u003cp\u003eThe frame is handcrafted from Romanian solid redwood finished in antiqued gold leaf over a gesso base. The interior is lined with crimson capitonné fabric. The shelves are clear glass. The door cartouche features a hand-painted porcelain medallion set within carved wooden rose and laurel swags.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly is required — typically attaching the legs and positioning the glass shelves. Full instructions and all required hardware are included. No specialist tools are needed.\u003c\/p\u003e\u003ch3\u003eCan this vitrine be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization of interior lining colour, gold finish tone (bright gold, antique gold, or silver leaf), and cabinet dimensions. Please contact us before placing your order to discuss your requirements.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186320744699,"sku":"ENTVAT5371","price":48600.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/01-entvat5371.png?v=1786877694"},{"product_id":"napoleon-iii-rococo-corner-vitrine-gilt-mounts-floral-marquetry-entvat1937","title":"Napoleon III Rococo Revival Corner Vitrine with Gilt Mounts \u0026 Floral Marquetry","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003ePlace this corner vitrine in a room and something shifts — the corner that was previously wasted becomes a focal point, a stage. This piece is faithfully reproduced in the tradition of Second Empire French cabinetmaking, the Napoleon III Rococo Revival style that defined the opulent interiors of Parisian grand hôtels and aristocratic salons of the 1850s–1870s. The arched, shaped bonnet top with its central gilded cartouche mount, flanked by flowing acanthus scrollwork in cast ormolu, announces the piece's ambition from the moment you enter the room. The lower cabinet panel carries hand-painted floral marquetry — a bouquet of wildflowers set against an ebonized ground — the precise decorative language that distinguishes Napoleon III Revival from a genuine Louis XV piece: richer, denser, more theatrical.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe carcase is built from Romanian solid redwood (kiln-dried to under 10% humidity) and finished in a deep French polish that gives the mahogany veneer its characteristic warmth and luminosity — the surface shifts from amber to deep burgundy as it catches different light. Gilt ormolu mounts — cast and hand-chased in brass — are applied at the bonnet crest, frieze, corner capitals, apron, and sabots (foot caps), creating a rhythm of gold that frames the piece from crown to toe. The curved glass door swings on a single brass hinge with a working lock, revealing two adjustable glass shelves set into a fabric-lined interior. The lower door panel is inlaid with a hand-painted floral marquetry bouquet, the flowers rendered in mother-of-pearl and polychrome against an ebonized wood surround.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eDesigned specifically as a corner unit, this vitrine fits neatly into a 90-degree wall junction without wasting floor space. Its vertical proportions — tall and narrow — make it ideal for rooms where horizontal wall space is limited. The two glass shelves provide generous display depth, suitable for crystal stemware, porcelain figurines, silver pieces, or a curated collection of decorative objects. The working lock ensures contents are secured.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery Brass \u0026amp; Wood vitrine is hand-built in Egypt by craftsmen trained in the European classical cabinetmaking tradition. The ormolu mounts are individually cast, filed, and gilded. The marquetry panel is painted by hand. The French polish is applied in multiple sessions, rubbed back between coats to achieve the depth of finish that a spray lacquer cannot replicate. This is a piece that rewards close attention — the more carefully you look, the more craft you find.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this vitrine made from?\u003c\/h3\u003e\u003cp\u003eThe carcase is solid Romanian redwood with mahogany veneer, finished in French polish. Decorative mounts are cast brass with a gilded finish (ormolu). The display shelves are clear glass. The lower panel features hand-painted floral marquetry with mother-of-pearl inlay against an ebonized wood surround.\u003c\/p\u003e\u003ch3\u003eDoes the glass door have a working lock?\u003c\/h3\u003e\u003cp\u003eYes. The vitrine includes a working brass lock on the glass door to secure your displayed items.\u003c\/p\u003e\u003ch3\u003eCan this piece be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization in wood finish, brass tone, fabric lining color, and overall dimensions. Contact our team to discuss your requirements.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186320810235,"sku":"ENTVAT1937","price":31500.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/napoleon-iii-rococo-corner-vitrine-gilt-mounts-floral-marquetry-front-view.png?v=1786877699"},{"product_id":"belle-epoque-hand-carved-vitrine-floral-garland-gilt-acanthus-stand-entvat2058","title":"Belle Époque Hand-Carved Vitrine Cabinet with Floral Garland Crest \u0026 Gilt Acanthus Stand","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003ePlace this vitrine in a corner of a salon and something shifts in the room — a warm reddish-brown column of carving, glass, and gilded ornament that draws the eye upward and inward at the same time. Inspired by the flowering of decorative arts during the Belle Époque (1871–1914), this handcrafted display cabinet faithfully reproduces the era's defining impulse: that every surface worthy of a fine interior should also be a surface worthy of study. The sweeping cabriole legs, the scrolled X-stretcher below, the asymmetric bloom of gilded acanthus across the apron — these are not decorative afterthoughts. They are the grammar of an era that believed ornament and function were inseparable.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe frame is constructed from Romanian solid redwood dried to below 10% humidity — a material chosen for its dimensional stability and the depth of colour it holds under a hand-rubbed cherry finish. The carving is done in multiple relief layers: the floral garland draped across the cornice and the acanthus scrolls flanking the apron are shaped by hand, then finished with selective antique-gold gilding that allows the warm wood tone to show through in the recesses. The single-door glass panel is framed within a shaped and moulded surround, with a small brass knob and lock hardware in antique gold. The interior back panel is mirror-faced, doubling the visual depth of whatever is displayed inside — porcelain, crystal, or a curated collection of precious objects.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eThe vitrine sits on four elegantly curved cabriole legs joined by a shaped cross-stretcher at the base, itself ornamented with gilded acanthus at the intersection. The cabinet body rises on this open stand, giving the piece an airy silhouette despite its richly carved surfaces. The cornice is arched and scrolled, crowned by a knotted floral wreath in high relief — the single most distinctive element of this piece and a signature motif of Belle Époque decorative vocabulary. Dimensions are available on request; the piece is produced to order by the artisan workshop of Brass \u0026amp; Wood in Egypt.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery vitrine bearing the Brass \u0026amp; Wood name is produced in our Egyptian workshop by craftsmen trained in classical European joinery and decorative carving. The gilding is applied by hand using traditional techniques, the glass is fitted and secured by hand, and the hand-rubbed finish is built up in multiple stages to achieve the depth of colour visible in these images. This is a replica in the proudest sense: a faithful interpretation of a historical design, made with the same dedication to craft that defined the original era.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this vitrine made from?\u003c\/h3\u003e\u003cp\u003eThe frame is Romanian solid redwood with a hand-rubbed cherry finish. Ornamental details are selectively gilded in antique gold. The display panel is clear glass, and the interior back is mirror-faced. Hardware (knob and lock) is brass in antique gold.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly is required — typically attaching the stand to the cabinet body. Full instructions and all necessary fixings are included with delivery.\u003c\/p\u003e\u003ch3\u003eCan this vitrine be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood accepts customization requests including alternative wood finishes, gilding color, fabric-lined interiors, and bespoke dimensions. Contact us before placing your order to discuss your requirements.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186320875771,"sku":"ENTVAT2058","price":36000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/belle-epoque-hand-carved-vitrine-floral-garland-gilt-acanthus-stand-front-view.png?v=1786877705"},{"product_id":"napoleon-iii-rococo-revival-vitrine-cabinet-cabriole-stand-gilt-bronze-entvat8319","title":"Napoleon III Rococo Revival Vitrine Cabinet on Cabriole Stand with Gilt Bronze Mounts","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003eThere is a particular kind of authority that belongs to a piece like this: a vitrine that is as much a work of sculpture as it is furniture. Drawing from the design vocabulary of the Napoleon III Rococo Revival — the dominant taste of Second Empire Paris between 1852 and 1870 — this handcrafted display cabinet combines two distinct visual registers into one arresting composition. Below, four exuberantly curved cabriole legs carry a serpentine-fronted lower body fitted with a single drawer. Above, a glazed display cabinet with curved side panels rises from the base, crowned by an elaborate gilt bronze cartouche crest. The visual tension between the airy, leggy base and the jewel-box upper case is entirely intentional — this is how Second Empire cabinetmakers made small furniture feel monumental.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe cabinet is built on a foundation of Romanian solid redwood (under 10% humidity), worked to a high-gloss finish that gives the mahogany-toned surface its characteristic depth — the kind of warm brown that absorbs light and gives it back slowly. The ormolu mounts throughout are cast gilt bronze of the highest quality: the crest features a scrolling foliate cartouche flanked by acanthus volutes; the stiles of the vitrine body are dressed with elongated drooping acanthus mount cascades typical of the Napoleon III decorative vocabulary; the apron carries a central rocaille cartouche handle mount; and the knees of the cabriole legs are capped with bold acanthus leaf castings that flow naturally into the leg's curve. Gilt brass banding traces the upper and lower edges of the base section, adding structure and catching the light as the eye travels around the piece. The vitrine glass is curved on the sides, presenting the interior contents from multiple angles without distortion.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eThis is a slender, tall piece — the elevated vitrine format was perfected in Second Empire Paris for displaying porcelain, silver, and decorative objects in the private salon. A single interior glass shelf provides two display levels within the glazed cabinet. The lock and key mechanism, housed behind a gilt bronze escutcheon plate, secures the vitrine door. The lower body includes one drawer fitted with a matching gilt bronze cartouche pull. Dimensions are available on request; the piece is handcrafted to order and can be customized in finish and hardware color.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eEvery element of this vitrine is produced in Brass \u0026amp; Wood's Egyptian workshops by craftsmen trained in classical European joinery and bronze-casting traditions. The ormolu mounts are individually cast, chased, and gilded. The wood is shaped and finished by hand, with the high-gloss lacquer built up in multiple layers to achieve its reflective depth. This is not a mass-produced piece — it is made to order, with the care and attention that a reproduction of this complexity demands. Brass \u0026amp; Wood's commitment is to make the heritage of European decorative arts available to those who understand that a room furnished with intention is a different kind of room entirely.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this vitrine made from?\u003c\/h3\u003e\u003cp\u003eThe cabinet is constructed from Romanian solid redwood (under 10% humidity) finished in high-gloss lacquer to a deep mahogany tone. The decorative mounts are cast gilt bronze (ormolu). The display panels are curved clear glass, and the interior features a glass shelf.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly is required — the vitrine upper section and the base are delivered separately and join together simply. Full instructions are provided.\u003c\/p\u003e\u003ch3\u003eCan this piece be customized?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customization in wood finish color, brass hardware finish (gold, antique gold, silver), and glass type. Contact our team to discuss your requirements before placing an order.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186320974075,"sku":"ENTVAT8319","price":36000.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/napoleon-iii-rococo-revival-vitrine-cabinet-cabriole-stand-gilt-bronze-front-view.png?v=1786877711"},{"product_id":"louis-xvi-neoclassical-gilt-vitrine-curved-glass-laurel-crest-crimson-velvet","title":"Louis XVI Neoclassical Gilt Vitrine — Curved Glass with Laurel Crest \u0026 Crimson Velvet Interior","description":"\u003ch2\u003eDesign \u0026amp; Inspiration\u003c\/h2\u003e\u003cp\u003ePlace this gilt vitrine in a salon and the room organises itself around it. The curved glass panels bow outward with a gentle confidence, the crimson velvet lining glows through the glass like a lit interior, and the laurel wreath crest — flanked by urn finials — announces itself from across the room. This is a display cabinet that participates in the architecture of a room, not merely a box with a lock. Faithfully reproduced in the tradition of the Louis XVI Neoclassical period (1760–1800), it draws from the vocabulary of Versailles' finest cabinetmakers: symmetry, classical motifs, and an absolute command of gilded ornament.\u003c\/p\u003e\u003ch2\u003eMaterials \u0026amp; Craftsmanship\u003c\/h2\u003e\u003cp\u003eThe frame is built from Romanian solid redwood at under 10% humidity — a dense, stable substrate that holds the depth of hand-carved relief without warping over time. Every surface detail is handcrafted: the swag garlands draping between the glass panels, the beaded moldings framing each curved door, the acanthus capitals crowning the corner pilasters, and the torch-and-floral friezes running along the base apron. The gold finish is applied in layers over gesso, hand-rubbed to the warm, slightly matte tone that separates period-informed gilding from commercial gold paint. The interior is lined in deep crimson velvet — the traditional backdrop for displaying porcelain, crystal, or silver — with two glass shelves allowing light to pass through the full height of the cabinet.\u003c\/p\u003e\u003ch2\u003eDimensions \u0026amp; Details\u003c\/h2\u003e\u003cp\u003eThe vitrine stands on four elegantly turned and fluted legs with carved acanthus collars, joined by a shaped stretcher centered on a floral cartouche — a detail visible in the fourth product image that reveals the care applied even to the parts guests rarely see. The curved glass doors open on hinged frames, each outlined in beaded gilt molding, and the crest assembly — a full laurel wreath with flanking urns and scrolled foliate wings — is a piece of sculptural work in its own right. Two interior shelves provide generous display space while the velvet-lined back panel ensures every object placed inside is presented against a rich, neutral ground.\u003c\/p\u003e\u003ch2\u003eHandcrafted in Egypt\u003c\/h2\u003e\u003cp\u003eThis vitrine is handcrafted at the Brass \u0026amp; Wood atelier in Egypt, where skilled woodworkers and gilders trained in classical European techniques bring each piece to completion by hand. The gold finish, the carved ornament, and the velvet lining are all applied on-site — not sourced as pre-finished components. Every cabinet is inspected before dispatch to ensure the gilding is even, the doors hang true, and the glass panels are seated without gap. Brass \u0026amp; Wood offers customisation of velvet colour and finial options — contact us to discuss your requirements.\u003c\/p\u003e\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\u003ch3\u003eWhat materials is this vitrine made from?\u003c\/h3\u003e\u003cp\u003eThe frame is Romanian solid redwood with a hand-applied gilt finish over gesso. The glazing consists of curved glass panels set in gilt-molded frames. The interior is lined with crimson velvet and fitted with two glass shelves. All ornamental elements — garlands, beading, crest, and leg carvings — are hand-carved from solid wood and finished in gold.\u003c\/p\u003e\u003ch3\u003eIs assembly required?\u003c\/h3\u003e\u003cp\u003eMinimal assembly is required — typically attaching the crest finials and positioning the glass shelves, which can be completed without specialist tools. Full instructions are included with delivery.\u003c\/p\u003e\u003ch3\u003eCan this vitrine be customised?\u003c\/h3\u003e\u003cp\u003eYes. Brass \u0026amp; Wood offers customisation of the interior velvet colour (standard options include crimson, ivory, navy, and sage), the brass tone (gold or antique gold), and selected ornamental details. Lead times for customised pieces are typically 45–60 days. Contact our team to begin a customisation request.\u003c\/p\u003e","brand":"Brass \u0026 Wood","offers":[{"title":"Default Title","offer_id":49186321039611,"sku":"ENTVAT5372","price":57950.0,"currency_code":"EGP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/files\/08-entvat5372_1.png?v=1786877717"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0826\/0563\/7883\/collections\/room-office.jpg?v=1786900564","url":"https:\/\/brassandwood.co\/collections\/entryways-corners.oembed?page=3","provider":"Brass \u0026 Wood","version":"1.0","type":"link"}